LABYRINTHS - ترجمة إلى العربية
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LABYRINTHS - ترجمة إلى العربية

USUALLY A SYSTEM OF NARROW CORRIDORS DESIGNED TO CONFUSE THOSE WHO ENTER AND MAKE FINDING A CORRECT PATH DIFFICULT
Labrynth; Labryinths; Labyrinthine; Cretan Labyrinth; Egyptian Labyrinth; Prayer labyrinth; Meditation labyrinth; Christian labyrinth; Prayer Labyrinth; The labyrinth; The Labyrinth; Labyrinth walk; Davide Tonato; Cretan labyrinth; Labyrinths
  • "Classical" or "Cretan" design, well-known in antiquity.
  • Theseus in the Minotaur's labyrinth, by [[Edward Burne-Jones]], 1861
  • A [[Roman mosaic]] from [[Zeugma, Commagene]] (now in the [[Zeugma Mosaic Museum]]) depicting [[Daedalus]], his son [[Icarus]], Queen [[Pasiphaë]], and two of her female attendants
  • Carving showing the warrior [[Abhimanyu]] entering the ''chakravyuha'' – [[Hoysaleswara temple]], [[Halebidu]], India
  • [[Chartres Cathedral]], about 1750, Jean Baptiste Rigaud
  • Silver coin from [[Knossos]] displaying the 7-course "Classical" design to represent the Labyrinth, 400 BC
  • Labyrinth on floor of [[Grace Cathedral, San Francisco]].
  • Walking the labyrinth at Chartres Cathedral
  • The four-axis  pattern as executed in [[Chartres Cathedral]] (early 1200s)

LABYRINTHS         

ألاسم

تِيه

labyrinth         
تِيْه
labyrinth         
تِيْه

تعريف

labyrinth

ويكيبيديا

Labyrinth

In Greek mythology, the Labyrinth (Ancient Greek: Λαβύρινθος, romanized: Labúrinthos) was an elaborate, confusing structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos. Its function was to hold the Minotaur, the monster eventually killed by the hero Theseus. Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it.

Although early Cretan coins occasionally exhibit branching (multicursal) patterns, the single-path (unicursal) seven-course "Classical" design without branching or dead ends became associated with the Labyrinth on coins as early as 430 BC, and similar non-branching patterns became widely used as visual representations of the Labyrinth – even though both logic and literary descriptions make it clear that the Minotaur was trapped in a complex branching maze. Even as the designs became more elaborate, visual depictions of the mythological Labyrinth from Roman times until the Renaissance are almost invariably unicursal. Branching mazes were reintroduced only when hedge mazes became popular during the Renaissance.

In English, the term labyrinth is generally synonymous with maze. As a result of the long history of unicursal representation of the mythological Labyrinth, however, many contemporary scholars and enthusiasts observe a distinction between the two. In this specialized usage maze refers to a complex branching multicursal puzzle with choices of path and direction, while a unicursal labyrinth has only a single path to the center. A labyrinth in this sense has an unambiguous route to the center and back and presents no navigational challenge.

Unicursal labyrinths appeared as designs on pottery or basketry, as body art, and in etchings on walls of caves or churches. The Romans created many primarily decorative unicursal designs on walls and floors in tile or mosaic. Many labyrinths set in floors or on the ground are large enough that the path can be walked. Unicursal patterns have been used historically both in group ritual and for private meditation, and are increasingly found for therapeutic use in hospitals and hospices.

أمثلة من مجموعة نصية لـ٪ 1
1. In a matter of months, they had created two interconnected labyrinths, 12 miles long and capable of hiding 25,000 troops.
2. Palestinian gunmen flee quickly after firing the crude, erratic rockets, often hiding in the labyrinths of Gaza‘s crowded residential neighborhoods.
3. "The cave of illusions" will include an interactive museum with 65 attractions such as giant labyrinths, a "crooked" room and "test yourself" games.
4. Labyrinths of underground cables, wires and pipes that spent weeks corroding amid the dank flood waters have to be ripped out and replaced.
5. Every Muscovite is familiar with the scene: a courtyard lined with unsightly metal garages that blight surroundings, obstructing paths and forming labyrinths that can be dangerous to navigate at night.