John Philip Sousa - ترجمة إلى إنجليزي
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John Philip Sousa - ترجمة إلى إنجليزي

AMERICAN CONDUCTOR AND COMPOSER (1854-1932)
John Phillip Sousa; John Philips Sousa; John Sousa; J. P. Sousa; J.Ph. Sousa; John P. Sousa; March Kings; John phillips sousa; Marching Along; John Phillips Sousa; Hail to the Spirit of Liberty; The Northern Pines; Sousa's Band; Phillip Sousa; Philip Sousa; Philip Souza; Phillip Souza; John Phillip Souza; John Philip Souza; Sousa Band
  • Sousa and his newly formed civilian band, 1893
  • Sheet music cover]], 1896
  • Sousa in 1900 by [[Elmer Chickering]]
  • US Postage stamp, 1940
  • John Philip Sousa's grave, [[Congressional Cemetery]]
  • Annual military observances at Sousa's Grave
  • Lindsay]], and other dignitaries
  • Sousa's birthplace on G St., S.E. in Washington, D.C.

John Philip Sousa         
n. John Philip Sousa (1854-1932), amerikanischer Komponist und Dirigent
Philip Pullman         
ENGLISH AUTHOR
Phillip Pullman; Philip Pullmann; Phillip Pullman's; Philip Pullman CBE; Pullman, Philip
n. Philip Pullman (1946 geboren), englischer Autor, Autor der "His Dark Materials" Trilogie
Stars and Stripes Forever         
PATRIOTIC AMERICAN MARCH WRITTEN AND COMPOSED BY JOHN PHILIP SOUSA
Stars and stripes forever; National March of the United States; The Stars and Stripes Forever (march); The Stars And Stripes Forever; The stars and stripes forever; Stars And Stripes Forever; Stars and Stripes Forever; Stars & Stripes Forever; Hurrah for the flag of the free
Stars and Stripes Forever, Marsch von John Philip Sousa komponiert

تعريف

Philip
·noun The European hedge sparrow.
II. Philip ·noun The house sparrow. Called also phip.

ويكيبيديا

John Philip Sousa

John Philip Sousa ( SOO-zə, SOO-sə; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. Among his best-known marches are "The Stars and Stripes Forever" (National March of the United States of America), "Semper Fidelis" (official march of the United States Marine Corps), "The Liberty Bell", "The Thunderer", and "The Washington Post".

Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. His father enlisted him in the United States Marine Band as an apprentice in 1868. He left the band in 1875, and over the next five years, he performed as a violinist and learned to conduct. In 1880 he rejoined the Marine Band, and he served there for 12 years as director, after which he was hired to conduct a band organized by David Blakely, P.S. Gilmore's former agent. Blakely wanted to compete with Gilmore. From 1880 until his death, he focused exclusively on conducting and writing music. Sousa aided in the development of the sousaphone, a large brass instrument similar to the helicon and tuba.

Upon the outbreak of World War I, Sousa was awarded a wartime commission of lieutenant commander to lead the Naval Reserve Band in Illinois. He then returned to conduct the Sousa Band until he died in 1932. In the 1920s, he was promoted to the permanent rank of lieutenant commander in the naval reserve.

أمثلة من مجموعة نصية لـ٪ 1
1. They make their entrance to a John Philip Sousa march twice daily, and swim in the fountain.
2. Famed American musician John Philip Sousa held a benefit concert. This was new and fresh and painful for people at that time.
3. A 120–piece orchestra led by John Philip Sousa played for the guests, who could pause from dancing to nibble on 60,000 oysters, 10,000 chicken croquettes, 150 gallons of lobster salad and 1,300 quarts of ice cream, among other things.
4. The participants, most wearing special white "Freedom Walk" T–shirts, assembled at the Lincoln Memorial and stepped off to the strains of a John Philip Sousa march at ':15 a.m. for the mile–and–a–half walk to the Pentagon.
5. We should beware the seductions and sorrows of recorded music Alex Ross Saturday August 13, 2005 The Guardian Ninety–nine years ago, John Philip Sousa predicted that recordings would lead to the demise of music.