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%ما هو (من)٪ 1 - تعريف
TREE NYMPH IN GREEK MYTHOLOGY
Dryads; Dryades; Dryad nymph; Dyrad; Dryads in popular culture
![''La dernière dryade (The Last Dryad)'' by [[Gabriel Guay]], 1898.](https://commons.wikimedia.org/wiki/Special:FilePath/Augustins - La dernière dryade - Gabriel Guay (2004 1 169).jpg?width=200 "''La dernière dryade (The Last Dryad)'' by [[Gabriel Guay]], 1898.")
dryad
US PAPER CRYPTOGRAPHIC SYSTEM
DRYAD (Cryptography)
['dr???d, -ad]
¦ noun
1. (in folklore and Greek mythology) a nymph inhabiting a tree or wood.
2. a dark brown butterfly with prominent bluish eyespots. [Minois dryas.]
Origin
via OFr. and L. from Gk druas, druad-, from drus 'tree'.
dryad
US PAPER CRYPTOGRAPHIC SYSTEM
DRYAD (Cryptography)
n.
Wood-nymph.
Dryad
US PAPER CRYPTOGRAPHIC SYSTEM
DRYAD (Cryptography)
A dryad is a naiad, or water nymph, with a towel. A naiad is inclined to be wet, whereas, once she has dried off, she becomes a dryad.
ويكيبيديا
Dryad
A dryad (; Greek: Δρυάδες, sing.: Δρυάς) is a tree nymph or tree spirit in Greek mythology. Drys (δρῦς) signifies "oak" in Greek. Dryads were originally considered the nymphs of oak trees specifically, but the term has evolved towards tree nymphs in general, or human-tree hybrids in fantasy. Often their life force was connected to the tree in which they resided and they were usually found in sacred groves of the gods. They were considered to be very shy creatures except around the goddess Artemis, who was known to be a friend to most nymphs.
أمثلة من مجموعة نصية لـ٪ 1
1. Likewise, the race has retained the services of Control Risks and Dryad, who cover risk assessment and maritime intelligence respectively.
2. Awret‘s particularly vivid They‘ll Have to Catch Me First (The University of Wisconsin Press/Dryad Press) describes her flight from Berlin to Belgium, and her 18 months in the harsh transit barracks of Mechelen (Malines) near Brussels, where her talent as an artist saved her from deportation.
3. Each of the nine rooms is crammed with great paintings, including Cezanne‘s "Haystacks at Giverny" and Picasso‘s angular female nude "Dryad." Later comes a treasure trove of avant–garde Russian work: Nathan Altman‘s cubist–inspired portrait of poet Anna Akhmatova, Pavel Filonov‘s fractured Cubo–Futurist war painting "The German War" and Malevich‘s abstract "Black Circle," "Black Square" and "Black Cross." "Russian artists were always looking to the latest developments in Paris, which was the center of the art world," said co–curator Ann Dumas.