spiral coded typeface - definition. What is spiral coded typeface
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%ما هو (من)٪ 1 - تعريف

SWISS TYPEFACE DESIGNER (1928-2015)
Ondine (typeface); Président (typeface); Phoebus (typeface); President (typeface); Apollo (typeface)
  • Specimens of typefaces by Adrian Frutiger
  • Méridien}}
  • Adrian Frutiger's font Frutiger Capitalis
  • Sample of the font Frutiger Stones
  • Frutiger Symbols: a group of designs inspired by Stone Age art drawn on pebbles.
  • Univers Bold Condensed on a London street sign
  • Frutiger in use by the Dutch rail system
  • ASTRA-Frutiger]], a condensed variant of Frutiger, on a road sign near [[Lugano]] in [[Switzerland]] in 2011
  • [[François Hollande]]}}.

Spiral (railway)         
  • Loop (Agony Point) on the DHR, India
  • Albulabahn]]
  • Dduallt]] on the [[Ffestiniog Railway]], Wales.
  • Geumdae 2nd Tunnel in [[Jungang Line]], [[South Korea]]
  • zig zag]] in [[Hisatsu Line]], Japan
  • 1903 view of Riflesight Notch loop, near [[Rollins Pass]] in Colorado
  • Myanmar]]
  • [[Tehachapi Loop]], on the [[Union Pacific Railroad]], California, United States, viewed from the air.
  • Guanjiao Spiral on [[Qinghai–Tibet Railway]] at night, it was replaced by a 32-km long tunnel in 2014
RAILWAY FEATURE
Railway spiral
A spiral (sometimes called a spiral loop or just loop) is a technique employed by railways to ascend steep hills.
Euler spiral         
  • Animation depicting evolution of a Cornu spiral with the tangential circle with the same radius of curvature as at its tip, also known as an [[osculating circle]].
  • right
PLANE CURVE GIVEN BY FRESNEL INTEGRALS SUCH THAT THE CURVATURE INCREASES LINEARLY WITH CURVE LENGTH
Cornu spiral; Clothoid; Sici spiral; Si-ci-spiral; Nielsen spiral; Euler's spiral; Cornu Spiral; Transition spiral
An Euler spiral is a curve whose curvature changes linearly with its curve length (the curvature of a circular curve is equal to the reciprocal of the radius). Euler spirals are also commonly referred to as spiros, clothoids, or Cornu spirals.
Spiral galaxy         
  • Spiral galaxy, LEDA 2046648, is about one billion light-years away.
  • access-date=11 August 2015}}</ref>
  • newspaper=ESA / Hubble}}</ref>
  • Animation of orbits as predicted by the density wave theory, which explains the existence of stable spiral arms. Stars move in and out of the spiral arms as they orbit the galaxy.
  • [[NGC 1300]] in [[infrared]] light.
  • Tuning-fork-style diagram of the [[Hubble sequence]]
  • Spiral galaxy [[NGC 1345]]
  • The bright galaxy [[NGC 3810]] demonstrates classical spiral structure in this very detailed image from Hubble. Credit: ESA/Hubble and NASA.
  • Spiral galaxy [[NGC 6384]] taken by [[Hubble Space Telescope]].
  • Spiral galaxy NGC 2008
  • WISE]] data
  • [[Barred spiral galaxy]] [[UGC 12158]].
GALAXY HAVING A NUMBER OF ARMS OF YOUNGER STARS THAT SPIRAL OUT FROM THE CENTRE CONTAINING OLDER ONES
Spiral arm; Halo star; Spiral nebula; Spiral Galaxies; Spiral galaxies; Galactic spheroid; Spiral nebulae; Galaxy: Spiral; Spiral arms; Stellar spheroid; Spiral Galaxy; Spheroidal halo; Stellar halos; Stellar haloes; Galactic arm; LEDA 2046648
Spiral galaxies form a class of galaxy originally described by Edwin Hubble in his 1936 work The Realm of the Nebulae Alt URL(pp. 124–151) and, as such, form part of the Hubble sequence.

ويكيبيديا

Adrian Frutiger

Adrian Johann Frutiger (Swiss Standard German: [ˈaːdriaːn ˈjoːhan ˈfruːtɪɡər]; 24 May 1928 – 10 September 2015) was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern.

Frutiger's most famous designs, Univers, Frutiger and Avenir, are landmark sans-serif families spanning the three main genres of sans-serif typefaces: neogrotesque, humanist and geometric. Univers was notable for being one of the first sans-serif faces to form a consistent but wide-ranging family, across a range of widths and weights. Frutiger described creating sans-serif types as his "main life's work," partially due to the difficulty in designing them compared to serif fonts.