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Etymologie

Was (wer) ist Brechtian$529022$ - definition

THEATRICAL GENRE

Brechtian acting; Epic Theater; Brechtian theatre; Brectian theatre; Theater of alienation; Alienation theater; Theater of Alienation; Dialectical theatre; Dialectical Theatre; Epic theater; Epic Theatre

Epic theatre

Epic theatre () is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes.

https://en.wikipedia.org/wiki/Epic_theatre

Aesthetic distance

Defamiliarization Effect; Alienation Effect; Brechtian alienation; Defamiliarization effect; V-effekt; V-effect; V-Effect; V-Effekt; Verfremdungseffekt; Alienation-Effect; Aesthetic Distance; Verfremdung; Estrangement effect; Alienation effect; Distancing Effect; Alienating effect; A-effect; Alienation device

Aesthetic distance refers to the gap between a viewer's conscious reality and the fictional reality presented in a work of art. When a reader becomes fully engrossed in the illusory narrative world of a book, the author has achieved a close aesthetic distance.

https://en.wikipedia.org/wiki/Aesthetic_distance

Distancing effect

PERFORMING ARTS CONCEPT

Defamiliarization Effect; Alienation Effect; Brechtian alienation; Defamiliarization effect; V-effekt; V-effect; V-Effect; V-Effekt; Verfremdungseffekt; Alienation-Effect; Aesthetic Distance; Verfremdung; Estrangement effect; Alienation effect; Distancing Effect; Alienating effect; A-effect; Alienation device

The distancing effect, more commonly known (earlier) by John Willett's 1964 translation as the alienation effect or (more recently) as the estrangement effect ( or V-Effekt), is a performing arts concept coined by German playwright Bertolt Brecht (1898–1956).

https://en.wikipedia.org/wiki/Distancing_effect

Wikipedia

Epic theatre

Epic theatre (German: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes. Epic theatre emphasizes the audience's perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose of epic theatre is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is.

https://en.wikipedia.org/wiki/Epic theatre