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Was (wer) ist Ionian$524616$ - definition
![victories in Italy]] led to the demise of the ancient [[Republic of Venice]] and the French occupation of the Ionian Islands.](https://commons.wikimedia.org/wiki/Special:FilePath/1801 Antoine-Jean Gros - Bonaparte on the Bridge at Arcole.jpg?width=200 "victories in Italy]] led to the demise of the ancient [[Republic of Venice]] and the French occupation of the Ionian Islands.")
![Louis Dupré]]](https://commons.wikimedia.org/wiki/Special:FilePath/Ali Pasha of Ioannina, at a hunt at Butrint Lake in March 1819, by Louis Dupré - 1819.jpg?width=200 "Louis Dupré]]")
![Portrait of [[Carlo Aurelio Widmann]], last Venetian governor of the Ionian islands](https://commons.wikimedia.org/wiki/Special:FilePath/Carlo Aurelio Widmann, PGM, Grezler.jpg?width=200 "Portrait of [[Carlo Aurelio Widmann]], last Venetian governor of the Ionian islands")
![Flag of the [[Septinsular Republic]]](https://commons.wikimedia.org/wiki/Special:FilePath/Flag of the Septinsular Republic.svg?width=200 "Flag of the [[Septinsular Republic]]")
![Battle of Nicopolis]]](https://commons.wikimedia.org/wiki/Special:FilePath/IAN 0952 Myrbach 78 small.jpg?width=200 "Battle of Nicopolis]]")
.jpg?width=200 "Medal presented by the inhabitants of Cephalonia to Admiral Ushakov in 1800, with his likeness on the obverse and a depiction of the siege of Corfu on the reverse")
Wikipedia
Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.
It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor) into a fourth species of perfect fifth (tone–tone–semitone–tone) plus a third species of perfect fourth (tone–tone–semitone): C D E F G + G A B C. This octave species is essentially the same as the major mode of tonal music.
Church music had been explained by theorists as being organised in eight musical modes: the scales on D, E, F, and G in the "greater perfect system" of "musica recta," each with their authentic and plagal counterparts.
Glarean's twelfth mode was the plagal version of the Ionian mode, called Hypoionian (under Ionian), based on the same relative scale, but with the major third as its tenor, and having a melodic range from a perfect fourth below the tonic, to a perfect fifth above it.
