M Walter F Abeykoon - Definition. Was ist M Walter F Abeykoon
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Was (wer) ist M Walter F Abeykoon - definition

GERMAN ART HISTORIAN
Walter Friedlaender; Walter F. Friedländer; Walter F. Friedlaender; Walter Friedlander; Walter F. Friedlander

M. Walter F. Abeykoon         
CEYLONESE CIVIL SERVANT
Morawakkorakoralege Walter Fonseka Abeykoon (30 April 1903 - 19??) was a Ceylonese civil servant and served as the Inspector General of Police between 1959 and 1963.
Walter M. Murphy Company         
  • 1929 Murphy convertible coupé on a Duesenberg J chassis
  • Disappearing top torpedo by Murphy on a 1930 Duesenberg J chassis
AMERICAN AUTOMOTIVE COMPANY
Walter M Murphy Company; Walter M. Murphy Co.
Walter M Murphy Company was a manufacturer of custom bodies for top quality car chassis which operated in Colorado Street, Pasadena, California. Founded in 1922 its business ended in 1932.
Walter M601         
  • An M601 mounted on an L-410 UVP in the Kbely museum, Prague
TURBOPROP AIRCRAFT ENGINE
Walter M-601; Walter 601; Walter M 601D; Walter M601D; Walter M601F; Walter M601E; Walter M601T; M601; Walter M601D-1; Motorlet M-601
The Walter M601 is a turboprop aircraft engine produced by Walter Aircraft Engines of the Czech Republic. The company's first turboprop, the M601 is used in business, agricultural and military training aircraft.

Wikipedia

Walter Friedländer

Walter Ferdinand Friedlaender (March 10, 1873 – September 8, 1966) was a German art historian (who should not be confused with Max Jakob Friedländer).

Walter Friedlaender was the son of Sigismund Friedlaender and Anna Joachimsthal. Born in Glogau, he was taught art history by Heinrich Wölfflin and others. Among his first students was Erwin Panofsky.

He taught at the Freiburg University (1914–1933), and the Institute of Fine Arts at New York University (1935-1966).

According to architecture and art historian Rocky Ruggiero, in a seminal observation about Mannerism by Friedlaender in his work, Mannerism and Anti-mannerism in Italian Painting, he presented the most sophisticated explanation of the transition from Renaissance art into the modern subjective "-isms" that followed the Baroque synthesis of Renaissance and High Renaissance styles. The concept Friedlaender presented was that artists moved from the objective and scientific work of Leonardo Da Vinci to the subjective presentations that have followed the break with Classical styles.

Friedlaender died in New York.