Übersetzung und Analyse von Wörtern durch künstliche Intelligenz ChatGPT
Auf dieser Seite erhalten Sie eine detaillierte Analyse eines Wortes oder einer Phrase mithilfe der besten heute verfügbaren Technologie der künstlichen Intelligenz:
- wie das Wort verwendet wird
- Häufigkeit der Nutzung
- es wird häufiger in mündlicher oder schriftlicher Rede verwendet
- Wortübersetzungsoptionen
- Anwendungsbeispiele (mehrere Phrasen mit Übersetzung)
- Etymologie
Was (wer) ist buffo$1$ - definition
![[[Alessandro Scarlatti]], one of the first major composers of ''opera buffa''](https://commons.wikimedia.org/wiki/Special:FilePath/Alessandro Scarlatti.jpg?width=200 "[[Alessandro Scarlatti]], one of the first major composers of ''opera buffa''")
![Mushroom]] (light green) appears after bumping into the golden block from below, and initially rolls to the right, until it falls off the platform and bounces against the pipe (green). The Mushroom then turns around and rolls toward Mario, who can easily receive it at this point.<ref name=Eurogamer />](https://commons.wikimedia.org/wiki/Special:FilePath/World 1-1 obstacle schematic.PNG?width=200 "Mushroom]] (light green) appears after bumping into the golden block from below, and initially rolls to the right, until it falls off the platform and bounces against the pipe (green). The Mushroom then turns around and rolls toward Mario, who can easily receive it at this point.<ref name=Eurogamer />")
![The 24-hour tower clock in [[Venice]], using ''J'' as a symbol for 1](https://commons.wikimedia.org/wiki/Special:FilePath/Clock 24 J.jpg?width=200 "The 24-hour tower clock in [[Venice]], using ''J'' as a symbol for 1")
![[[Hoefler Text]], a typeface designed in 1991, represents the numeral 1 as similar to a small-caps I.](https://commons.wikimedia.org/wiki/Special:FilePath/Mediaevalziffern.svg?width=200 "[[Hoefler Text]], a typeface designed in 1991, represents the numeral 1 as similar to a small-caps I.")
after the second pint of gin, i was hard one-ing
Wikipedia
Opera buffa (Italian: [ˈɔːpera ˈbuffa]; "comic opera", plural: opere buffe) is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as commedia in musica, commedia per musica, dramma bernesco, dramma comico, divertimento giocoso.
Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, buffa was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter.
The New Grove Dictionary of Opera considers La Cilla (music by Michelangelo Faggioli, text by Francesco Antonio Tullio, 1706) and Luigi and Federico Ricci's Crispino e la comare (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's Zeitoper Schwergewicht). High points in this history are the 80 or so libretti by Carlindo Grolo, Loran Glodici, Sogol Cardoni and various other approximate anagrams of Carlo Goldoni, the three Mozart/Da Ponte collaborations, and the comedies of Gioachino Rossini and Gaetano Donizetti.
Similar foreign genres such as French opéra comique, English ballad opera, Spanish zarzuela or German singspiel differed as well in having spoken dialogue in place of recitativo secco, although one of the most influential examples, Pergolesi's La serva padrona (which is an intermezzo, not opera buffa), sparked the querelle des bouffons in Paris as an adaptation without sung recitatives.
