Charles Baudelaire - ορισμός. Τι είναι το Charles Baudelaire
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Τι (ποιος) είναι Charles Baudelaire - ορισμός


Charles Baudelaire         
  • [[Apollonie Sabatier]], muse and one-time mistress, painted by [[Vincent Vidal]]
  • Baudelaire, Bibliothèque de la Pléiade, ''Œuvres complètes'' (''Complete Works''), volume I.
  • Portrait of a 23-year-old Baudelaire, painted in 1844 by Émile Deroy (1820–1846)
  • Grave of Baudelaire in [[Cimetière du Montparnasse]]
  • Nadar]], 1855
  • Cenotaph of Charles Baudelaire, Montparnasse Cemetery
  • Charles Baudelaire, de face}} (1869 print of 1865 etching) by [[Édouard Manet]]
  • Illustration cover for ''Les Épaves'', by Baudelaire's friend [[Félicien Rops]]
FRENCH POET, ESSAYIST AND ART CRITIC (1821-1867)
Baudelaire; Charles Pierre Baudelaire; Charles-Pierre Baudelaire; Baudelaire, Charles Pierre; Beaudelaire; Baudelaire, Charles

Charles Pierre Baudelaire (UK: , US: ; French: [ʃaʁl(ə) bodlɛʁ] (listen); 9 April 1821 – 31 August 1867) was a French poet who also produced notable work as an essayist and art critic. His poems exhibit mastery in the handling of rhyme and rhythm, contain an exoticism inherited from Romantics, but are based on observations of real life.

His most famous work, a book of lyric poetry titled Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in the rapidly industrializing Paris during the mid-19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé, among many others. He is credited with coining the term modernity (modernité) to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience. Furthermore, Marshall Berman has credited Baudelaire as being the first Modernist.

Portrait of Charles Baudelaire         
PAINTING BY GUSTAVE COURBET
Portrait of Charles Baudelaire is an oil on canvas portrait of the poet Charles Baudelaire by Gustave Courbet. The artist himself dated it to 1840, but it seems to have mostly been painted most likely in 1848, at a time when the poet and the painter met frequently.
Charles Ferm         
SCOTTISH PRINCIPAL OF FRASERBURGH UNIVERSITY
Charles Ferme; Charles Farholme; Charles Fairholm; Ferm, Charles
Charles Ferm, Ferme, Farholme or Fairholm (ca.1566–1617), was a leading campaigning Presbyterian minister in the Church of Scotland, and the Principal of Fraserburgh University, Scotland.
Παραδείγματα από το σώμα κειμένου για Charles Baudelaire
1. Burroughs, Henry Miller and Charles Baudelaire would have been unwelcome in the United States.
2. "I hate this art thought up to the beat of drums, these canvases daubed at the gallop, this painting fabricated by pistol–shot," wrote the poet and critic Charles Baudelaire of the painter Horace Vernet – who, like Gros, pictured Napoleon‘s battles – "just as I hate the army, armed power and anyone who clanks weapons noisily around in a peaceful place.
3. That certainly wasn‘t the modernité Charles Baudelaire was thinking of in 1863 when, in The Painter of Modern Life, he described "modernity" as an exaltation of "the ephemeral, the fugitive, the contingent, the half of art whose other half is the eternal and the immutable". Nor was it what Jonathan Swift complained of in a letter to Alexander Pope – the work of English scribblers "who send us over their trash in Prose and Verse, with abominable curtailings and quaint modernisms". That was in 1737, and was the first and probably the last time that "modernism" and "quaintness" were linked in the same sentence.
4. Handler has cleverly filled them with enough in–jokes and literary references that older readers can also read the books with pleasure. (Listen to Handler describe his "Unfortunate" plan.) "I‘ve autographed a lot of books by Edgar Allan Poe and Charles Baudelaire," he laughed, "that many people thought were extraordinary coincidences until I had to gently tell them that there was some intelligent design, so to speak, at work." His style is engaging, elegant and more than a little sly: "If you have ever peeled an onion, then you know that the first thin papery layer reveals another thin, papery layer, and that layer reveals another, and another, and before you know it you have hundreds of layers all over the kitchen table and thousands of tears in your eyes, sorry that you ever started peeling in the first place," begins "The End." Mr.