Gensym Standard Interface - ορισμός. Τι είναι το Gensym Standard Interface
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Μετάφραση και ανάλυση λέξεων από την τεχνητή νοημοσύνη ChatGPT

Σε αυτήν τη σελίδα μπορείτε να λάβετε μια λεπτομερή ανάλυση μιας λέξης ή μιας φράσης, η οποία δημιουργήθηκε χρησιμοποιώντας το ChatGPT, την καλύτερη τεχνολογία τεχνητής νοημοσύνης μέχρι σήμερα:

  • πώς χρησιμοποιείται η λέξη
  • συχνότητα χρήσης
  • χρησιμοποιείται πιο συχνά στον προφορικό ή γραπτό λόγο
  • επιλογές μετάφρασης λέξεων
  • παραδείγματα χρήσης (πολλές φράσεις με μετάφραση)
  • ετυμολογία

Τι (ποιος) είναι Gensym Standard Interface - ορισμός

SDMI; Standard-Definition Multimedia Interface

Gensym Standard Interface      
<programming> (GSI) A set of C libraries and programming tools used to interface G2 to external systems. Commercially available bridges are available to SCADA systems and PLCs. (1997-02-11)
Interface (computing)         
  • USB]]-B socket.
CONCEPT OF COMPUTER SCIENCE; POINT OF INTERACTION BETWEEN TWO THINGS
Interfaces (computer science); Interface pattern; Interface (programming); Computer interface; Subinterface; Software Interface; Software interface; Interface Pattern; Interface (software); Interface (Software); Interface (computer science); Function call interface
In computing, an interface is a shared boundary across which two or more separate components of a computer system exchange information. The exchange can be between software, computer hardware, peripheral devices, humans, and combinations of these.
CAPE-OPEN Interface Standard         
The CAPE-OPEN Interface Standard consists of a series of specifications to expand the range of application of process simulation technologies. The CAPE-OPEN specifications define a set of software interfaces that allow plug and play inter-operability between a given Process Modelling Environment and a third-party Process Modelling Component.

Βικιπαίδεια

Secure Digital Music Initiative

Secure Digital Music Initiative (SDMI) was a forum formed in late 1998, composed of more than 200 IT, consumer electronics, security technology, ISP and recording industry companies, as well as authors, composers and publishing rightsholders (represented by CISAC and BIEM representatives, mainly from SGAE/SDAE (Gonzalo Mora Velarde and José Manuel Macarro), GEMA (Alexander Wolf und Thomas Kummer-Hardt), SACEM/SDRM (Aline Jelen, Catherine Champarnaud, Laurent Lemasson), MCPS/PRS (Mark Isherwood), ASCAP , BMI (Edward Oshanani), and SODRAC), ostensibly with the purpose of developing technology and rights management systems specifications that will protect once developed and installed, the playing, storing, distributing and performing of digital music.

Specifically, the goals of the SDMI were to provide consumers with convenient access to music online and in new digital distribution systems, to apply digital rights management restrictions to the work of artists, and to promote the development of new music-related business and technologies. SDMI was a direct response to the widespread success of the MP3 file format.

According to their web site, SDMI existed to develop “technology specifications that protect the playing, storing, and distributing of digital music such that a new market for digital music may emerge.” It would have been used by DataPlay, an optical disc format that at the time was cheaper and had higher capacity than memory cards, and by SD cards.