Michelangelo Merisi da Caravaggio - ορισμός. Τι είναι το Michelangelo Merisi da Caravaggio
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Τι (ποιος) είναι Michelangelo Merisi da Caravaggio - ορισμός

ITALIAN PAINTER
Michelangelo Merisi da Caravaggio; Michelangelo da Caravaggio; Michelangelo Caravaggio; Carravagio; Michelangelo Amerighi Caravaggio; Michelangelo Merisi; Caravaggio (Michaelangelo Morigi); Ecstacy of saint francis; Caravaggio (disputed); Michaelangelo (Caravaggio) Morigi; Morigi, Michaelangelo (Caravaggio); Michelangelo Merisi Caravaggio; Caravaggiesque; Carvaggio; Caravage; Caravagio; Caravaggio Merisi; Michelangelo Merisi De Caravaggio; Michelangelo Merisi Da Caravaggio; Carravaggio; Michael Agnolo van Caravaggio; Michelangelo Nerosi da Caravaggio; Michelangelo Merisi Da Carravaggio; Cravaggio; Michaelangelo Merisi; Michelangelo da Merisi; Michaelangelo da Carravagio; Michelangelo Amerighi da Caravaggio; Caravaggesque; Michael Angelo Merigi; Carvaccio
  • Gemäldegalerie]], [[Berlin]]. Caravaggio shows [[Cupid]] prevailing over all human endeavors: war, music, science, government.
  • ''Sacred Love Versus Profane Love'' (1602–03), by Giovanni Baglione. Intended as an attack on his hated enemy, Caravaggio, it shows a winged male youth with an arrow, most likely a representation of Eros, the god associated with Aphrodite and sexual (i.e., profane) love, on one side, a devil with Caravaggio's face on the other, and between an angel representing pure, meaning non-erotic or sacred, love.
  • abbr=on}}, [[Galleria Borghese]], [[Rome]]
  • Basket of Fruit]]'', c. 1595–1596, oil on canvas, [[Pinacoteca Ambrosiana]], [[Milan]]
  • Salome with the Head of John the Baptist]]'', [[Royal Palace of Madrid]]
  • abbr=on}}, [[National Gallery, London]]. Self-portrait of Caravaggio as the figure at the top left.
  • New York]]
  • The Entombment of Christ]]'', (1602–1603), [[Pinacoteca Vaticana]], [[Rome]]
  • Medusa]]'', c. 1597. [[Uffizi]], [[Florence]]
  • The Seven Works of Mercy]]'', 1606–1607, [[Pio Monte della Misericordia]], [[Naples]]
  • ''[[Nativity with St. Francis and St. Lawrence]]'', 1600
  • Judith Beheading Holofernes]]'' 1599–1602, [[Galleria Nazionale d'Arte Antica]], Rome
  • ''[[Conversion on the Way to Damascus]]'', 1601, [[Cerasi Chapel]], [[Santa Maria del Popolo]], [[Rome]]
  • The Crucifixion of Saint Peter]]'', 1601, [[Cerasi Chapel]], [[Santa Maria del Popolo]], [[Rome]]
  • David with the Head of Goliath]]'', 1609–1610, [[Galleria Borghese]], [[Rome]]
  • Death of the Virgin]]'', 1601–1606, [[Louvre]], [[Paris]]
  • Map of Caravaggio's travels
  • ''The Lute Player'']] (Hermitage version), c. 1600. [[Hermitage Museum]], [[Saint Petersburg]]. (commissioned by [[Francesco Maria del Monte]])
  • ''Narcissus at the Source'']], 1597–1599, [[Galleria Nazionale d'Arte Antica]], Rome
  • ''Old Woman and Boy with Candles'' by Rubens
  • [[Fillide Melandroni]]
  • ''[[The Raising of Lazarus]]'' and the ''[[Adoration of the Shepherds]]''. [[Regional Museum of Messina]], Sicily, Italy
  • Saint Francis of Assisi in Ecstasy]]'' (c. 1595), [[Wadsworth Atheneum]], [[Hartford]]
  • ''[[Saint Jerome Writing]]'', c. 1605–1606, [[Galleria Borghese]], [[Rome]]
  • ''The Beheading of Saint John'']] (1608) by Caravaggio ([[Saint John's Co-Cathedral]], [[Valletta]], [[Malta]])
  • The Calling of Saint Matthew]]'' (1599–1600), [[Contarelli Chapel]], [[San Luigi dei Francesi]], [[Rome]]. Without recourse to flying angels, parting clouds or other artifice, Caravaggio portrays the instant conversion of St Matthew, the moment on which his destiny will turn, by means of a beam of light and the pointing finger of Jesus.
  • The Denial of Saint Peter]]'' (1610), [[Metropolitan Museum of Art]]
  • The Incredulity of Saint Thomas (Ecclesiastical Version, 1601), Private collection, Florence, Italy
  • ''[[The Taking of Christ]]'', 1602, [[National Gallery of Ireland]], [[Dublin]]. The [[chiaroscuro]] shows through on the faces and armour even in the absence of a visible shaft of light. The figure on the extreme right is a self-portrait.

Polidoro da Caravaggio         
  • 1525}})
  • Palazzo Massimo Istoriato; a fading palace facade in Rome by Polidoro and Maturino, 1523.
  • Christ Carrying the Cross]]'' (1530–34), Naples
ITALIAN PAINTER (1499-1543)
Polidoro (da Caravaggio) Caldara; Caldara, Polidoro (da Caravaggio); Polidoro di Caravaggio; Polidoro Caldara da Caravaggio; Polidoro da caravaggio; Polidoro Caldara
Polidoro Caldara, usually known as Polidoro da Caravaggio ( – 1543) was an Italian painter of the Mannerist period, "arguably the most gifted and certainly the least conventional of Raphael's pupils",National Gallery, London who was best known for his now-vanished paintings on the facades of Roman houses. He was unrelated to the later painter Michelangelo Merisi da Caravaggio, usually known just as Caravaggio, but both came from the town of Caravaggio.
U.S.D. Caravaggio         
  • 20px
ITALIAN ASSOCIATION FOOTBALL CLUB, BASED IN CARAVAGGIO, LOMBARDY
US Caravaggio
Unione Sportiva Dilettantistica Caravaggio is an Italian association football club, based in Caravaggio, Lombardy. Caravaggio currently plays in Serie D.
Girolamo Michelangelo Grigoletti         
ITALIAN PAINTER (1801-1870)
Michelangelo Grigoletti; Michelangelo Gregoletti
Girolamo Michelangelo Grigoletti (29 August 1801 – 11 February 1870) was an Italian painter, active in a Neoclassical style.

Βικιπαίδεια

Caravaggio

Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, US: , Italian: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.

Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His inspiring effect on the new Baroque style that emerged from Mannerism was profound. His influence can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt. Artists heavily under his influence were called the "Caravaggisti" (or "Caravagesques"), as well as tenebrists or tenebrosi ("shadowists").

Caravaggio trained as a painter in Milan before moving to Rome when he was in his twenties. He developed a considerable name as an artist and as a violent, touchy and provocative man. A brawl led to a death sentence for murder and forced him to flee to Naples. There he again established himself as one of the most prominent Italian painters of his generation. He travelled to Malta and on to Sicily in 1607 and pursued a papal pardon for his sentence. In 1609 he returned to Naples, where he was involved in a violent clash; his face was disfigured, and rumours of his death circulated. Questions about his mental state arose from his erratic and bizarre behavior. He died in 1610 under uncertain circumstances while on his way from Naples to Rome. Reports stated that he died of a fever, but suggestions have been made that he was murdered or that he died of lead poisoning.

Caravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism. The style evolved and fashions changed, and Caravaggio fell out of favour. In the 20th century, interest in his work revived, and his importance to the development of Western art was reevaluated. The 20th-century art historian André Berne-Joffroy stated: "What begins in the work of Caravaggio is, quite simply, modern painting."

Παραδείγματα από το σώμα κειμένου για Michelangelo Merisi da Caravaggio
1. Along with the Van Goghs are works by Leonardo da Vinci, Paul Cezanne and Michelangelo Merisi da Caravaggio.
2. This kind of thing happens once in a lifetime.‘" Michelangelo Merisi da Caravaggio was born around 1570 and died in 1610.
3. Michelangelo Merisi da Caravaggio, a notorious brawler who fled from Rome after killing a rival in a duel, was born in about 1570 and was found dead on a beach in 1610.
4. Michelangelo Merisi da Caravaggio, a notorious brawler who fled from Rome after killing a rival in a duel, was born in 1571 and was found dead on a beach in 1610.
5. KATERINA MAVRONA/ANA–MNA The director of Athens’s Museum of Cycladic Art unveils a painting by the Italian 17th century artist Michelangelo Merisi da Caravaggio in the presence of journalists yesterday. ‘The Raising of Lazarus’ — which is rarely removed from the Museo Nazionale in Messina, Sicily, because of its size — is one of three of Caravaggio’s works which go on display — along with works of his students, imitators and rivals — at the Athens museum from today.