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Τι (ποιος) είναι canon d"assaut - ορισμός
!["Wann?", canon for soprano and alto by Brahms[[File:Brahms Wann puzzle canon.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Brahms Wann puzzle canon.png?width=200 "\"Wann?\", canon for soprano and alto by Brahms[[File:Brahms Wann puzzle canon.mid]]")
![Beginning of psalm [[motet]] ''De profundis'' by [[Josquin des Prez]], featuring a canon at the fourth between the two upper voices in the first six bars.[[File:De Profundis (Josquin).mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/De Profundis (Josquin).png?width=200 "Beginning of psalm [[motet]] ''De profundis'' by [[Josquin des Prez]], featuring a canon at the fourth between the two upper voices in the first six bars.[[File:De Profundis (Josquin).mid]]")
![loc=29}}[[File:Ernst Friedrich Richter canon no. 39.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Ernst Friedrich Richter canon no. 39.png?width=200 "loc=29}}[[File:Ernst Friedrich Richter canon no. 39.mid]]")
![Missa l'homme armé super voces musicales]]'', by [[Josquin des Prez]]](https://commons.wikimedia.org/wiki/Special:FilePath/Prolationcanonjosquin.png?width=200 "Missa l'homme armé super voces musicales]]'', by [[Josquin des Prez]]")
Βικιπαίδεια
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from 1838 to 1842.
Like his other works, Pachelbel's Canon went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-François Paillard chamber orchestra gained popularity over the next decade, and in the 1970s the piece began to be recorded by many ensembles; by the early 1980s its presence as background music was deemed inescapable. From the 1970s onward, elements of the piece, especially its chord progression, were used in a variety of pop songs. Since the 1980s, it has also found increasingly common use in weddings and funeral ceremonies in the Western world.
