dance macabre - ορισμός. Τι είναι το dance macabre
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Τι (ποιος) είναι dance macabre - ορισμός

ARTISTIC MOTIF ON THE UNIVERSALITY OF DEATH
Danse macabre; Totentanz; Dance Macabre; Dance of Death; Dance of death; La Danse Macabre; The Dance of Death; La Danza Macabra; Death dance; Dance macabre; The dance of death; The Dance Of Death
  • [[Charnel house]] at [[Holy Innocents' Cemetery]], Paris, with mural of a ''Danse Macabre'' (1424–25)
  • An [[abbot]] and a [[bailiff]], dancing the Dance Macabre, miniature from a 1486 book, printed by [[Guy Marchant]] in Paris
  • The Abbess from Holbein's ''Simolachri, Historie, e Figure de la Morte'', 1549
  • The Pedlar from Holbein's ''Simolachri, Historie, e Figure de la Morte'' (In Lyone Appresso Giovan Frellone, 1549)
  • The Plowman from Holbein's ''Simolachri, Historie, e Figure de la Morte'', 1549
  • from Holbein's ''Simolachri, Historie, e Figure de la Morte'' (In Lyone Appresso Giovan Frellone, 1549)
  • ''The Dance of Death'' (1493) by [[Michael Wolgemut]], from the ''[[Nuremberg Chronicle]]'' of [[Hartmann Schedel]]
  • St. Peter and St. Paul church]], Vilnius

dance of death         
¦ noun a medieval allegorical representation in which a personified Death leads all to the grave.
Danse Macabre         
The Danse Macabre (; ) (from the French language), also called the Dance of Death, is an artistic genre of allegory of the Late Middle Ages on the universality of death.
danse macabre         
[?d?:ns m?'k?:br(?)]
¦ noun another term for dance of death.
Origin
from Fr.

Βικιπαίδεια

Danse Macabre

The Danse Macabre (; French pronunciation: ​[dɑ̃s ma.kabʁ]) (from the French language), also called the Dance of Death, is an artistic genre of allegory of the Late Middle Ages on the universality of death.

The Danse Macabre consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. The effect was both frivolous, and terrifying; beseeching its audience to react emotionally. It was produced as memento mori, to remind people of the fragility of their lives, and how vain were the glories of earthly life. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425.