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Τι (ποιος) είναι grotesque$1$ - ορισμός

CULTUROLOGICAL CONCEPT
Grotesque Body; Grotesque realism
  • Grotesque masks are shown here, worn by many at a carnival.
  • The grotesque is used here through the use of the mouth in the architecture of a building.

Grotesque (disambiguation)         
WIKIMEDIA DISAMBIGUATION PAGE
The Grotesque; Grotesque (film)
Grotesque was originally a style of ornament in art, and today also means strange, fantastic, ugly, or bizarre.
Grotesque (Stephenson Blake typefaces)         
  • The first section of Wyndham Lewis' Manifesto, ''Blast 1'', 1914, in Grotesque No. 9
  • Grotesque No. 8 on a metal type specimen sheet
  • Grotesque No. 9 on a metal type specimen sheet
  • Grotesque No. 9 on a poster for Jersey
FAMILY OF SANS-SERIF TYPEFACES PUBLISHED BY STEPHENSON BLAKE
Grotesque No. 9; Bureau Grot; Bureau Grotesque
The Stephenson Blake Grotesque fonts are a series of sans-serif typefaces created by the type foundry Stephenson Blake of Sheffield, England, mostly around the beginning of the twentieth century.
Monotype Grotesque         
  • A comparison of Arial, Helvetica and Monotype Grotesque 215 scaled to equivalent cap height showing the most distinctive characters. Arial copies Helvetica's proportions and stroke width but has design detailing influenced by Grotesque 215.
GROTESQUE SANS-SERIF TYPEFACE
Grotesque MT; Classic Grotesque; Monotype Grotesque(typeface); Grotesque 215
Monotype Grotesque is a family of sans-serif typefaces released by the Monotype Corporation for its hot metal typesetting system. It belongs to the grotesque or industrial genre of early sans-serif designs.

Βικιπαίδεια

Grotesque body

The grotesque body is a concept, or literary trope, put forward by Russian literary critic Mikhail Bakhtin in his study of François Rabelais' work. The essential principle of grotesque realism is degradation, the lowering of all that is abstract, spiritual, noble, and ideal to the material level. Through the use of the grotesque body in his novels, Rabelais related political conflicts to human anatomy. In this way, Rabelais used the concept as "a figure of unruly biological and social exchange".

It is by means of this information that Bakhtin pinpoints two important subtexts: the first is carnival (carnivalesque), and the second is grotesque realism (grotesque body). Thus, in Rabelais and His World Bakhtin studies the interaction between the social and the literary, as well as the meaning of the body.