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Τι (ποιος) είναι gunfighter - ορισμός

A PERSON ABLE TO SHOOT QUICKLY AND ACCURATELY WITH A GUN

Gun-fighter; Gunslingers; Gunfighters; Gunslinger; Gun-fights; Gun fighters; Gun fighter; Gun-fighters; Gun slinger; Gun slingers; Gun-slinger; Gun-slingers; Gunslinging

gunfighter

Gunfighter (comics)

Gunfighter was a comic published by EC Comics from 1948 to 1950, with a total of nine issues. It was part of EC's Pre-"trend comics" era.

https://en.wikipedia.org/wiki/Gunfighter_(comics)

gunslinger

(gunslingers)

A gunslinger is someone, especially a criminal, who uses guns in fighting.

N-COUNT

Βικιπαίδεια

Gunfighter

Gunfighters, also called gunslingers (), or in the 19th and early 20th centuries gunmen, were individuals in the American Old West who gained a reputation of being dangerous with a gun and participated in gunfights and shootouts. Today, the term "gunslinger" is more or less used to denote someone who is quick on the draw with a pistol, but can also refer to riflemen and shotgun messengers. The gunfighter is also one of the most popular characters in the Western genre and has appeared in associated films, video games, and literature.

The gunfighter could be a lawman, outlaw, cowboy, or shooting exhibitionist, but was more commonly a hired gun who made a living with his weapons in the Old West.

https://en.wikipedia.org/wiki/Gunfighter

Παραδείγματα από το σώμα κειμένου για gunfighter

1. Joan," and had roles in "How the West Was Won," "Death of a Gunfighter," "Murder on the Orient Express," "Midas Run" and "Coma." "Madigan," a 1'68 film with Widmark as a loner detective, was converted to television and lasted one season in 1'72–73.

2. "Both defendants stopped and turned to face Mr Anil." Witness Derek Porter told police he saw the 17–year–old then reach for a knife in his waistband, "challenging him like a gunfighter from a Western film". Mr Porter told officers: "He took out a knife and handed it to the taller one [the 16–year–old]. The man and the taller youth stood face to face.

3. Almost every interesting director of the genre during that period – Sam Peckinpah, Robert Altman, Boris Kaufman, Clint Eastwood, Don Siegel, Robert Aldrich, Arthur Penn – found the greatest creative rewards in revisionism, as they ransacked the unexamined assumptions of the classic western, dragged it howling through the prism of Vietnam, foregrounded the genocidal Indian wars, and linked the 7th Cavalry, the gunfighter and Manifest Destiny with the viler aspects of postwar American foreign policy.