gute Imitation - ορισμός. Τι είναι το gute Imitation
Diclib.com
Λεξικό ChatGPT
Εισάγετε μια λέξη ή φράση σε οποιαδήποτε γλώσσα 👆
Γλώσσα:

Μετάφραση και ανάλυση λέξεων από την τεχνητή νοημοσύνη ChatGPT

Σε αυτήν τη σελίδα μπορείτε να λάβετε μια λεπτομερή ανάλυση μιας λέξης ή μιας φράσης, η οποία δημιουργήθηκε χρησιμοποιώντας το ChatGPT, την καλύτερη τεχνολογία τεχνητής νοημοσύνης μέχρι σήμερα:

  • πώς χρησιμοποιείται η λέξη
  • συχνότητα χρήσης
  • χρησιμοποιείται πιο συχνά στον προφορικό ή γραπτό λόγο
  • επιλογές μετάφρασης λέξεων
  • παραδείγματα χρήσης (πολλές φράσεις με μετάφραση)
  • ετυμολογία

Τι (ποιος) είναι gute Imitation - ορισμός

IN POLYPHONIC MUSIC, THE REPETITION (EXACT OR MODIFIED) OF A MELODY IN A DIFFERENT VOICE
Nachahmung; Strict imitation; Real imitation
  • Andrea Gabrieli Ricercare del 12o tono
  • Andrea Gabrieli Ricercare del 12o tono
  • Bach Fugue XXII in B flat minor BWV 867, opening
  • Bach Fugue XXII in B flat minor BWV 867, opening
  • Bach Fugue XXII in B flat minor BWV 867, closing bars
  • Bach Fugue XXII in B flat minor BWV 867, closing bars
  • Play}}.
  • Play}}
  • 11px
  • Mozart Minuet from Trio K498, bars 76–86
  • Mozart Minuet from Trio K498, bars 76–86
  • Mozart Minuet from Trio K498, bars 94–100
  • Mozart Minuet from Trio K498, bars 94–100
  • Listen]] ) <br /> The first note of the subject, D, (in red) is a prominent dominant note, demanding that the first note of the answer (in blue) sounds as the tonic, G, rather than A.
  • tonic]] triad—in this case, a C, E, or G.

Imitation (art)         
DOCTRINE OF ARTISTIC CREATIVITY ACCORDING TO WHICH THE CREATIVE PROCESS SHOULD BE BASED ON THE CLOSE IMITATION OF THE MASTERPIECES OF THE PRECEDING AUTHORS
Imitation (the arts); Artistic imitation; Doctrine of imitation; Imitation in art; Imitation in the arts
Imitation is the doctrine of artistic creativity according to which the creative process should be based on the close imitation of the masterpieces of the preceding authors. This concept was first formulated by Dionysius of Halicarnassus in the first century BCE as imitatio, and has since dominated for almost two thousand years the Western history of the arts and classicism.
imitation         
  • vehicle motion alarm]] of a local garbage truck in [[Brastad]], Sweden.
  • A small boy of [[Matera]], [[Italy]], unconsciously repeats the gesture of his grandmother's hands, ca. 1948 – ca. 1955
BEHAVIOR WHEREBY AN INDIVIDUAL OBSERVES AND REPLICATES ANOTHER'S BEHAVIOR
Imitate; Nonimitation; Inimitable; Imitations; Immitation; Aping; Imitation in animals; Imitating; Imitative behavior; Over-imitation; Deferred imitation
n.
1.
Copying, imitating.
2.
Copy, resemblance, likeness.
3.
Mimicry, mocking.
4.
Parody, travesty, burlesque.
Inimitable         
  • vehicle motion alarm]] of a local garbage truck in [[Brastad]], Sweden.
  • A small boy of [[Matera]], [[Italy]], unconsciously repeats the gesture of his grandmother's hands, ca. 1948 – ca. 1955
BEHAVIOR WHEREBY AN INDIVIDUAL OBSERVES AND REPLICATES ANOTHER'S BEHAVIOR
Imitate; Nonimitation; Inimitable; Imitations; Immitation; Aping; Imitation in animals; Imitating; Imitative behavior; Over-imitation; Deferred imitation
·adj Not capable of being imitated, copied, or counterfeited; beyond imitation; surpassingly excellent; matchless; unrivaled; exceptional; unique; as, an inimitable style; inimitable eloquence.

Βικιπαίδεια

Imitation (music)

In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice. The melody may vary through transposition, inversion, or otherwise, but retain its original character. The intervals and rhythms of an imitation may be exact or modified; imitation occurs at varying distances relative to the first occurrence, and phrases may begin with voices in imitation before they freely go their own ways.

Imitation helps provide unity to a composition and is used in forms such as the fugue and canon.

The near universality of imitation in polyphonic styles in Western music (and its frequency in homorhythmic, homophonic, and other textures) is evidence enough of its paradoxical value in asserting the individuality of voices.