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Τι (ποιος) είναι morality$50331$ - ορισμός

CENTRAL THEME OF FRIEDRICH NIETZSCHE'S WORKS
Master morality; Slave morality; Master-Slave Morality; Master and slave morality; Herrenmoral; Master-slave morality; Slave/master morality

Morality play         
  • Mundus et Infans]]'', a morality play
GENRE OF MEDIEVAL AND EARLY TUDOR THEATRICAL ENTERTAINMENT
Morality plays; Morality tale; Moral interlude; Morality Play; Morality drama
The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who are engaged in a struggle to persuade a protagonist who represents a generic human character toward either good or evil.
morality play         
  • Mundus et Infans]]'', a morality play
GENRE OF MEDIEVAL AND EARLY TUDOR THEATRICAL ENTERTAINMENT
Morality plays; Morality tale; Moral interlude; Morality Play; Morality drama
¦ noun a kind of drama presenting a moral lesson and having personified abstract qualities as the main characters, popular in the 15th and early 16th centuries.
Morality (novella)         
NOVELLA BY STEPHEN KING
Mortality (novella); Morality (short story)
Morality is a novella by American writer Stephen King published in the July 2009 issue of Esquire.Stephen King’s Novella Mortality In The July 2009 Esquire Magazine It was then included as a bonus story in Blockade Billy, a novella published on May 25, 2010, and later collected and re-introduced in the November 3, 2015 anthology The Bazaar of Bad Dreams.

Βικιπαίδεια

Master–slave morality

Master–slave morality (German: Herren- und Sklavenmoral) is a central theme of Friedrich Nietzsche's works, particularly in the first essay of his book On the Genealogy of Morality. Nietzsche argues that there are two fundamental types of morality: "master morality" and "slave morality". Master morality values pride, wealth, fame and power, while slave morality values kindness, empathy, and sympathy. Master morality judges actions as good or bad (e.g. the classical virtues of the noble man versus the vices of the rabble), unlike slave morality, which judges by a scale of good or evil intentions (e. g. Christian virtues and vices, Kantian deontology).

For Nietzsche, a morality is inseparable from the culture that values it, meaning that each culture's language, codes, practices, narratives, and institutions are informed by the struggle between these two moral structures.