Ionian$524616$ - translation to ελληνικό
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Ionian$524616$ - translation to ελληνικό

AUTHENTIC MODE
Ionian Scale; Ionic Mode; Ionian Mode; Tonus lascivus; Ionian scale

Ionian      
n. ιόνιο
ionian islands         
  • The statue of [[Achilles]] in the gardens of the [[Achilleion (Corfu)]].
  • Postal card from 1914 on the 50th anniversary of union with Greece, featuring the flags of Greece and the British protectorate, and the emblems of the seven islands: ancient ship (Corfu), trident (Paxi), Odysseus (Ithaca), Venus (Cythera), Cephalus (Cephalonia), St George (Lefkada), Zacynthus (Zante)
  • ''Carnival in Kerkyra'' by [[Charalambos Pachis]].
  • The City of Corfu]].
  • The flag of the [[Septinsular Republic]] (1800-1807), the first self-governed Greek state since the Middle Ages
  • The Ionian islands (Heptanese/Seven islands).
  • A view of [[Lefkada]].
  • Island of Corfu]], founder and first Governor (1828-1831) of the modern Greek state.
  • overseas possessions]].
  • The City of Zakynthos]].
  • Sun-drying of [[Zante currant]] on Zakynthos.
GROUP OF ISLANDS IN THE IONIAN SEA
Ionian islands; Eptanisa; Heptanese; Eptanese; Ephtanese; Eftanese; Ionioi Nisoi; Ionia Nisia; Ancient ionian islands; Classical ionian islands; Ionian Island; History of the Ionian Islands
επτάνησα

Ορισμός

Ionian mode
¦ noun Music the mode represented by the natural diatonic scale C-C (the major scale).

Βικιπαίδεια

Ionian mode

Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.

It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor) into a fourth species of perfect fifth (tone–tone–semitone–tone) plus a third species of perfect fourth (tone–tone–semitone): C D E F G + G A B C. This octave species is essentially the same as the major mode of tonal music.

Church music had been explained by theorists as being organised in eight musical modes: the scales on D, E, F, and G in the "greater perfect system" of "musica recta," each with their authentic and plagal counterparts.

Glarean's twelfth mode was the plagal version of the Ionian mode, called Hypoionian (under Ionian), based on the same relative scale, but with the major third as its tenor, and having a melodic range from a perfect fourth below the tonic, to a perfect fifth above it.