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octave$54539$ - translation to ελληνικό
![suspension]] of the ''B'' resolving into the following ''A minor seventh'' chord.](https://commons.wikimedia.org/wiki/Special:FilePath/Bach minor second smaller.png?width=200 "suspension]] of the ''B'' resolving into the following ''A minor seventh'' chord.")
![The melodic minor second is an integral part of most cadences of the [[Common practice period]].[[File:Cadence minor second V65-I.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Cadence minor second.png?width=200 "The melodic minor second is an integral part of most cadences of the [[Common practice period]].[[File:Cadence minor second V65-I.mid]]")
![diatonic semitone]]](https://commons.wikimedia.org/wiki/Special:FilePath/Just diatonic semitone.png?width=200 "diatonic semitone]]")
![16:15 diatonic semitone[[File:Just diatonic semitone on C.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Just diatonic semitone on C.png?width=200 "16:15 diatonic semitone[[File:Just diatonic semitone on C.mid]]")
![Transcendental Étude]], measure 63](https://commons.wikimedia.org/wiki/Special:FilePath/Liszt augmented unison.png?width=200 "Transcendental Étude]], measure 63")
!['Larger' or major limma on C[[File:Greater chromatic semitone on C.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Major limma on C.png?width=200 "'Larger' or major limma on C[[File:Greater chromatic semitone on C.mid]]")
![Dramatic chromatic scale in the opening measures of [[Luca Marenzio]]'s ''Solo e pensoso'', ca. 1580.[[File:Marenzio solo e pensoso opening.MID]]](https://commons.wikimedia.org/wiki/Special:FilePath/Marenzio solo e pensoso chromatic.png?width=200 "Dramatic chromatic scale in the opening measures of [[Luca Marenzio]]'s ''Solo e pensoso'', ca. 1580.[[File:Marenzio solo e pensoso opening.MID]]")
![Song Without Words]]'' Op. 102 No. 3, mm. 47–49.[[File:Mendelssohn dominants.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Mendelssohn dominants.png?width=200 "Song Without Words]]'' Op. 102 No. 3, mm. 47–49.[[File:Mendelssohn dominants.mid]]")
Ορισμός
Βικιπαίδεια
"Octave" has two senses in Christian liturgical usage. In the first sense, it is the eighth day after a feast, reckoning inclusively, and so always falls on the same day of the week as the feast itself. The word is derived from Latin octava (eighth), with dies (day) understood. In the second sense, the term is applied to the whole period of these eight days, during which certain major feasts came to be observed.
Octaves, not being successive, are quite distinct from eight-day weeks and simply refer to the return of the same day of a seven-day week in the inclusive counting system used in Latin (just as the ninth day was a return to the same day of a nundinal cycle, the eight-day week of the pre-Christian Roman calendar).
