ionisation$541537$ - translation to ιταλικό
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ionisation$541537$ - translation to ιταλικό

MUSICAL COMPOSITION BY EDGARD VARÈSE
Ionisation (Varese); Ionisation varese

ionisation      
n. ionizzazione, processo di separazione o trasformazione in ioni; produzione di ioni un una soluzione
ionization energy         
  • p-orbital]].
  • Binding energies of specific atomic orbitals as a function of the atomic number. Because of the increasing number of protons, electrons occupying the same orbital are more tightly bound in heavier elements.
  • potential energy curve]] of the neutral molecule, and the upper curve is for the positive ion with a longer bond length. The blue arrow is vertical ionization, here from the ground state of the molecule to the v=2 level of the ion.
  • Ionization energies peak in noble gases at the end of each period in the periodic table of elements and, as a rule, dip when a new shell is starting to fill.
  • alt=
MINIMUM AMOUNT OF ENERGY REQUIRED TO REMOVE AN ELECTRON FROM AN ATOM OR MOLECULE IN THE GASEOUS STATE
First ionization energy; Ionisation energy; Ionisation enthalpy; Ionization enthalpy; Electron binding energy; Ionization Potential; Second ionization energy; Ionisation potential; Ionization potential; Ionisation energies; Ionization Energy; Ionization energies
energia di ionizzazione (energia richiesta al fine di liberare un elettrone da un atomo)
pressure gauge         
  • A pile of pressure capsules with corrugated diaphragms in an aneroid [[barograph]]
  • Bayard–Alpert hot-cathode ionization gauge
  • Dead-weight tester. This uses known calibrated weights on a piston to generate a known pressure.
  • An original 19th century Eugene Bourdon compound gauge, reading pressure both below and above atmospheric with great sensitivity
  • Membrane-type manometer
  • A [[pressure gauge]] in action
  • A McLeod gauge, drained of mercury
  • Application schematic
  • Natural gas pressure gauge
  • Penning vacuum gauge (cut-away)
  • thumb
  • Pirani vacuum gauge (open)
  • psi]] (red scale) and [[kPa]] (black scale)
  • [[Ring balance manometer]]
  • Checking [[tire pressure]] with a spring and piston tire-pressure gauge
  • The difference in fluid height in a liquid-column manometer is proportional to the pressure difference: <math>h = \frac{P_a - P_o}{g \rho}</math>
  • Indicator front with pointer and dial
  • Mechanical details
  • Mechanical side with Bourdon tube
TECHNIQUE TO MEASURE PRESSURE
Absolute pressure; Gauge pressure; Pressure gauge; Bourdon tube; Vacuum gauge; Ionization gauge; Bourdon gauge; Vacuum Gauges; Ion gauge; Vacuummeter; Vacuummetr; Absolute Pressure; Gauge Pressure; Bayard Alpert gauge; Bayard-Alpert gauge; Penning gauge; Inverted magnetron; Manomometer; Vacuum measurement; Manometric; Gage pressure; Manometer; Difference between gauge and absolute pressure; Decreasing pressure; Bourdon pressure gauge; Oil pressure gauge; Vacuometer; Bourdon tube and gauge; Philips' gauge; Ionisation gauge; Magnehelic gauge; ZenTek; Negative gauge pressure; U gauge; Liquid Column; Pressure gage; Magnahelic gauge; Magnahelic guage; Differential pressure; Redhead gauge; Advantages and limitations of mamometers; Advantages and Limitations of Manometer; Micromanometer; Baratron; Aneroid gauge
manometro misuratore di pressione

Ορισμός

Ionize
·add. ·vt To separate (a compound) into ions, ·esp. by dissolving in water.

Βικιπαίδεια

Ionisation (Varèse)

Ionisation (1929–1931) is a musical composition by Edgard Varèse written for thirteen percussionists. It was among the first concert hall compositions for percussion ensemble alone, although Alexander Tcherepnin had composed an entire movement for percussion alone in his Symphony No. 1 from 1927. In the journal Tempo, percussionist Brian Holder writes, "The work presented the important notion that unpitched percussion (with piano and other pitched instruments coming in at the end) could stand alone as a serious form of concert music – a relatively unexplored concept at the time."

The premiere was at Carnegie Chapter Hall, an annex to New York City's Carnegie Hall, on March 6, 1933, conducted by Nicolas Slonimsky, to whom the piece was later dedicated. One critic described the performance as "a sock in the jaw".