secondary key - translation to ρωσικά
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secondary key - translation to ρωσικά

HARMONIC DEVICE IN WESTERN MUSIC
Extended dominant; Applied dominant; Applied chord; Zwischendominante; V7/V; Secondary leading-tone chord; Secondary leading tone chord; Secondary seventh chord; Secondary seventh; Secondary supertonic chord; Secondary supertonic; V/V; Extended dominant relationship; Secondary diminished seventh chord; Secondary function; Chromatic seventh chord; Supertonic chromatic chord; Dominant of the dominant; Secondary (music); Secondary key; Subsidiary key; V of V; Secondary leading-tone; Secondary dominant; Secondary subdominant; Secondary mediant; Secondary submediant; Secondary subtonic; Secondary chords; Secondary dominant chord

secondary key         
вторичный ключ; второй ключ (дocmyn к которому открывает первый ключ) вторичный ключ; второй ключ (дocmyn к которому открывает первый ключ)
major key         
TONIC NOTE AND CHORD OF A MUSICAL PIECE
Major key; Key (Music); Musical key; Major Key; Key of D; Musical keys; Key coloration; Key relationship; Musical Key; Music key; Minor-key; Minor–key; Major-key; Key of E
мажорная тональность
major key         
TONIC NOTE AND CHORD OF A MUSICAL PIECE
Major key; Key (Music); Musical key; Major Key; Key of D; Musical keys; Key coloration; Key relationship; Musical Key; Music key; Minor-key; Minor–key; Major-key; Key of E

общая лексика

мажорный тон

Смотрите также

primary key

Ορισμός

Ки-Уэст
(Key West)

город на Юго-Востоке США, в штате Флорида, на о. Ки-Уэст, соединённый автодорогой (проложенной через цепь коралловых островов по мостам и дамбам) с полуостровом Флорида. 27,6 тыс. жителей (1970). Рыболовство. Зимний морской курорт.

Βικιπαίδεια

Secondary chord

A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period: the use of diatonic functions for tonicization.

Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. Secondary chords are referred to by the function they have and the key or chord in which they function. Conventionally, they are written with the notation "function/key". Thus, the most common secondary chord, the dominant of the dominant, is written "V/V" and read as "five of five" or "the dominant of the dominant". The major or minor triad on any diatonic scale degree may have any secondary function applied to it; secondary functions may even be applied to diminished triads in some special circumstances.

Secondary chords were not used until the Baroque period and are found more frequently and freely in the Classical period, even more so in the Romantic period. Composers began to use them less frequently with the breakdown of conventional harmony in modern classical music—but secondary dominants are a cornerstone of popular music and jazz in the 20th century.

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