E M Viquesney - meaning and definition. What is E M Viquesney
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What (who) is E M Viquesney - definition

EXPERIMENTAL MUSICAL GROUP
M I M E O; M. I. M. E. O.

E. M. Viquesney         
  • Owen County Heritage and Cultural Center
  • Mohave County Court House]], Kingman, Arizona
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AMERICAN SCULPTOR
Ernest Moore Viquesney
Ernest Moore Viquesney (August 5, 1876 – October 4, 1946) was an American sculptor best known for his popular World War I monument Spirit of the American Doughboy.
E and M signaling         
TYPE OF SUPERVISORY LINE SIGNALING
E&M wink; E and M signalling
E and M signaling is a type of supervisory line signaling that uses DC signals on separate leads, called the "E" lead and "M" lead, traditionally used in the telecommunications industry between telephone switches. Various mnemonic names have been used to memorize these letters, such as Ear and Mouth, the most common variation.
Mary Eileen Ahern         
AMERICAN LIBRARIAN (1860-1938)
Mary E. Ahern; M. E. Ahern
Mary Eileen Ahern (October 1, 1860 – May 22, 1938) was an American librarian, a leader of the modern library movement, and an early organizer of libraries in the United States. Throughout her career as a state librarian, journal editor, public speaker, and organizer, Ahern crusaded for the value of public libraries in educating the public.

Wikipedia

M.I.M.E.O.

M.I.M.E.O. (or MIMEO) is an experimental electroacoustic free improvisation group formed in 1997 on the initiative of several independent concert promoters in Europe. The abbreviation stands for "Music In Movement Electronic Orchestra". They have issued recordings on Erstwhile Records, Cathnor, Perdition Plastics, Grob, and other labels.

Their album Sight (2007) was inspired by painter Cy Twombly. Each of the eleven members of M.I.M.E.O. (spread across Europe) placed approximately five minutes of sound anywhere they chose onto a blank sixty-minute CDR. This was done independently of one another, with no communication between the musicians about how or where the music should be distributed on the disc. The CDRs were then compiled onto one CD and sent to a pressing plant.

Pianist John Tilbury joined the group to record the album The Hands of Caravaggio (2001, Erstwhile). Critic Brian Olewnick describes the album as "A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century."