"To Cut a Long Story Short" is the debut single by the English new wave band Spandau Ballet, released on 31 October 1980. The band began recording the song before they were signed to a record label because of the interest they had generated with a debut concert for patrons of the exclusive weekly London nightclub the Blitz as well as a Christmas party at that establishment. After having tried other popular genres, the band had been preparing to make their debut as performers of dance music and wanted the public to associate them with the young crowd who met at the Blitz every Tuesday. They needed their guitarist/songwriter, Gary Kemp, to come up with something that they could feel confident about presenting to the top tier of the club's regulars at their first performance.

By shaping their image around an exclusive club scene, Spandau Ballet piqued the interest of a television documentary filmmaker who then wanted to film the band in concert as part of presenting their story. A popular DJ attended the concert and requested that they record some of the songs for him to play on his show, and "To Cut a Long Story Short" became so popular that others shows on the station aired it as well. Several record labels were in touch with them after the documentary aired in July 1980, but the band had a long list of requirements that had to be met and had difficulty deciding which label would meet all their needs. The song had gained such popularity on that one station that the labels in the running all agreed that the one the band chose to sign with would pay for the session time needed to record it right away and start working on their first album.

The fact that they had little money to spend on the music video for "To Cut a Long Story Short" did not prevent the band from wearing historical military outfits. They kept the same look for their debut on the British music chart television programme Top of the Pops, emphasizing that their image was as much a part of their performance as their music. The single received mixed reviews at the time of its release, but when it got as high as number 5 on the UK Singles Chart, several other UK pop groups that were associated with nightclubs were signed to record labels and began charting in the US as part of the Second British Invasion as well as at home.

The record contract that Spandau Ballet signed with Chrysalis Records stipulated that covering the cost of remixing their songs for dance clubs would be included. The band was inspired by the practice of creating dub mixes and released both the 7- and 12-inch singles with such reinterpretations of the song on the B-side. The contract also gave control over all aspects of how their music was presented, which allowed them to get help from the creative regulars from the Blitz who specialized in such things as graphic design, hair and costumes. The tactics that put Spandau Ballet in the public eye with the song were more about recognizing the cultural shift that these young people represented than they were about just having a hit record.