orchestration$55483$ - meaning and definition. What is orchestration$55483$
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  3. orchestration$55483$

What (who) is orchestration$55483$ - definition

AUTOMATED CONFIGURATION, COORDINATION, AND MANAGEMENT OF COMPUTER SYSTEMS AND SOFTWARE
Orchestration (computers); Service orchestration; Container Orchestration; Container orchestration

Orchestration (computing)         
In system administration, orchestration is the automated configuration, coordination, and management of computer systems and software.Erl, Thomas (2005) Service-Oriented Architecture: Concepts, Technology & Design.
https://en.wikipedia.org/wiki/Orchestration_(computing)
orchestrate         
  • musical score]] for Act 2 of the [[opera]] ''[[Der Freischütz]]'' by [[Carl Maria von Weber]], written in the 1820s. The score contains all the parts for the singers and the [[accompaniment]] parts and melodies for the [[orchestra]].
  • Bach, from Cantata BWV 67, 4th movement, bars 8-13
  • Bach, from Cantata BWV 67, 4th movement, bars 8-13
  • Berlioz, Queen Mab scherzo from Romeo et Juliette
  • Solo piano statement of theme in the cadenza.
  • 'L'Entrée de Polymnie' from ''Les Boréades'' by Rameau.
  • 'L'Entrée de Polymnie' from ''Les Boréades'' by Rameau.
  • Orchestral introduction to 'et misericordia' from Bach's Magnificat, BWV 243. [https://www.youtube.com/watch?v=Om6FA-8Rs5I Listen]
  • Final statement of the theme in a major key by the horns after the end of the cadenza
  • Berlioz, orchestral texture from Queen Mab scherzo
  • Haydn, Symphony 94, second movement bars 143-156
  • 500px
  • Haydn, Symphony 94, second movement bars 143-156
  • Haydn, Symphony 97, third movement, bars 109-118
  • 500px
  • Haydn, Symphony 97, third movement, bars 109-118
  • Debussy, [https://www.youtube.com/watch?v=x8qP_2i3HYA Jeux opening bars]
  • Mahler, Symphony No. 4, first movement, Figure 5.
  • Mahler, Symphony No. 4, first movement, Fig 5
  • Mahler Symphony No 4, third movement, Figure 13.
  • Mahler Symphony No 4, third movement, Figure 13.
  • Final statement of the theme in a major key by the horns after the end of the cadenza.
  • Major version of the theme, with horns playing the melody
  • Major version of the theme, with horns playing the melody.
  • Berlioz, March to the Scaffold from the ''Symphonie fantastique''
  • March to the Scaffold from the ''Symphonie fantastique''
  • Minor version of the theme.
  • Minor key version of the theme, with piano right hand elaborating the melody in triplets.
  • Minor version of the theme, with piano right hand elaborating the melody in triplets
  • Minor version of the theme
  • Trio section of the Minuet from Mozart's Symphony No. 41.
  • Trio section of the Minuet from Mozart's Symphony No. 41.
  • Mozart Piano Concerto K482 first movement bars 1-12
  • Mozart Piano Concerto K482 first movement bars 1-6
  • Mozart Piano Concerto K482 first movement bars 7–12.
  • Opening orchestral introduction to J.S. Bach's Cantata, BWV65.
  • Parsifal Prelude Opening
  • Parsifal Prelude Opening
  • Contrasting orchestral groups from the Prelude to first Act of Parsifal
  • Contrasting orchestral groups from the Prelude to the first Act of Parsifal
  • Debussy, Prelude a l'apres midi d'un faune, Figure 7, bars 11-13
  • Debussy, Prelude a l'apres midi d'un faune, opening bars
  • Wagner, Prelude to Lohengrin [https://www.youtube.com/watch?v=lqk4bcnBqls Listen]
  • Berlioz, Queen Mab scherzo from Romeo et Juliette
  • Berlioz, orchestral texture from Queen Mab scherzo
  • Rameau 'Rossignols amoureux' from Hippolyte et Aricie
  • Rameau 'Rossignols amoureux' from Hippolyte et Aricie
  • Second subject theme from the first movement of Beethoven's Piano Concerto No. 5 (Emperor)
  • Opening orchestral introduction to J.S. Bach's Cantata, BWV65.
  • Solo piano statement of theme in the cadenza
  • Second subject theme from the first movement of Beethoven's Piano Concerto No. 5 (Emperor)
  • Beethoven, Symphony 2 scherzo bars 1-8
  • Symphony 2 scherzo bars 1-8
  • Symphony 39, first movement, bars 102-119
  • Symphony 39, first movement, bars 102-105
  • Symphony 39, first movement, bars 106-109
  • Symphony 39, first movement, bars 110-114
  • Symphony 39, first movement, bars 115-119
  • Wagner, Tristan prelude, opening.
  • Wagner, Tristan Prelude, opening
  • Wagner, Tristan Prelude, closing bars
  • Tutti statement of the theme
  • Tutti statement of the theme.
  • Wagner, Tristan Prelude, closing bars.
  • Wagner Fire Music from ''Die Walküre''
  • Wagner Fire Music from ''Die Walküre''
STUDY OR PRACTICE OF WRITING MUSIC FOR AN ORCHESTRA
Orchestrator; Orchestrated; Orchestrations; Rescoring; Orchestrate; Musical orchestration
(orchestrates, orchestrating, orchestrated)
If you say that someone orchestrates an event or situation, you mean that they carefully organize it in a way that will produce the result that they want.
The colonel was able to orchestrate a rebellion from inside an army jail.
...a carefully orchestrated campaign.
VERB: V n, V-ed
• orchestration
...his skilful orchestration of latent nationalist feeling.
N-UNCOUNT
Orchestration         
  • musical score]] for Act 2 of the [[opera]] ''[[Der Freischütz]]'' by [[Carl Maria von Weber]], written in the 1820s. The score contains all the parts for the singers and the [[accompaniment]] parts and melodies for the [[orchestra]].
  • Bach, from Cantata BWV 67, 4th movement, bars 8-13
  • Bach, from Cantata BWV 67, 4th movement, bars 8-13
  • Berlioz, Queen Mab scherzo from Romeo et Juliette
  • Solo piano statement of theme in the cadenza.
  • 'L'Entrée de Polymnie' from ''Les Boréades'' by Rameau.
  • 'L'Entrée de Polymnie' from ''Les Boréades'' by Rameau.
  • Orchestral introduction to 'et misericordia' from Bach's Magnificat, BWV 243. [https://www.youtube.com/watch?v=Om6FA-8Rs5I Listen]
  • Final statement of the theme in a major key by the horns after the end of the cadenza
  • Berlioz, orchestral texture from Queen Mab scherzo
  • Haydn, Symphony 94, second movement bars 143-156
  • 500px
  • Haydn, Symphony 94, second movement bars 143-156
  • Haydn, Symphony 97, third movement, bars 109-118
  • 500px
  • Haydn, Symphony 97, third movement, bars 109-118
  • Debussy, [https://www.youtube.com/watch?v=x8qP_2i3HYA Jeux opening bars]
  • Mahler, Symphony No. 4, first movement, Figure 5.
  • Mahler, Symphony No. 4, first movement, Fig 5
  • Mahler Symphony No 4, third movement, Figure 13.
  • Mahler Symphony No 4, third movement, Figure 13.
  • Final statement of the theme in a major key by the horns after the end of the cadenza.
  • Major version of the theme, with horns playing the melody
  • Major version of the theme, with horns playing the melody.
  • Berlioz, March to the Scaffold from the ''Symphonie fantastique''
  • March to the Scaffold from the ''Symphonie fantastique''
  • Minor version of the theme.
  • Minor key version of the theme, with piano right hand elaborating the melody in triplets.
  • Minor version of the theme, with piano right hand elaborating the melody in triplets
  • Minor version of the theme
  • Trio section of the Minuet from Mozart's Symphony No. 41.
  • Trio section of the Minuet from Mozart's Symphony No. 41.
  • Mozart Piano Concerto K482 first movement bars 1-12
  • Mozart Piano Concerto K482 first movement bars 1-6
  • Mozart Piano Concerto K482 first movement bars 7–12.
  • Opening orchestral introduction to J.S. Bach's Cantata, BWV65.
  • Parsifal Prelude Opening
  • Parsifal Prelude Opening
  • Contrasting orchestral groups from the Prelude to first Act of Parsifal
  • Contrasting orchestral groups from the Prelude to the first Act of Parsifal
  • Debussy, Prelude a l'apres midi d'un faune, Figure 7, bars 11-13
  • Debussy, Prelude a l'apres midi d'un faune, opening bars
  • Wagner, Prelude to Lohengrin [https://www.youtube.com/watch?v=lqk4bcnBqls Listen]
  • Berlioz, Queen Mab scherzo from Romeo et Juliette
  • Berlioz, orchestral texture from Queen Mab scherzo
  • Rameau 'Rossignols amoureux' from Hippolyte et Aricie
  • Rameau 'Rossignols amoureux' from Hippolyte et Aricie
  • Second subject theme from the first movement of Beethoven's Piano Concerto No. 5 (Emperor)
  • Opening orchestral introduction to J.S. Bach's Cantata, BWV65.
  • Solo piano statement of theme in the cadenza
  • Second subject theme from the first movement of Beethoven's Piano Concerto No. 5 (Emperor)
  • Beethoven, Symphony 2 scherzo bars 1-8
  • Symphony 2 scherzo bars 1-8
  • Symphony 39, first movement, bars 102-119
  • Symphony 39, first movement, bars 102-105
  • Symphony 39, first movement, bars 106-109
  • Symphony 39, first movement, bars 110-114
  • Symphony 39, first movement, bars 115-119
  • Wagner, Tristan prelude, opening.
  • Wagner, Tristan Prelude, opening
  • Wagner, Tristan Prelude, closing bars
  • Tutti statement of the theme
  • Tutti statement of the theme.
  • Wagner, Tristan Prelude, closing bars.
  • Wagner Fire Music from ''Die Walküre''
  • Wagner Fire Music from ''Die Walküre''
STUDY OR PRACTICE OF WRITING MUSIC FOR AN ORCHESTRA
Orchestrator; Orchestrated; Orchestrations; Rescoring; Orchestrate; Musical orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.
https://en.wikipedia.org/wiki/Orchestration

Wikipedia

Orchestration (computing)

In system administration, orchestration is the automated configuring, coordinating, and managing of computer systems and software.

Many tools exist to automate server configuration and management, including Kubernetes, Ansible, Puppet, Salt, Terraform, and AWS CloudFormation.

https://en.wikipedia.org/wiki/Orchestration (computing)
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