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l"Opéra - translation to
![[[Giacomo Meyerbeer]], portrayed in 1847](https://commons.wikimedia.org/wiki/Special:FilePath/Giacomo Meyerbeer Kriehuber (cropped).jpg?width=200 "[[Giacomo Meyerbeer]], portrayed in 1847")
![Set designs for the original production at the [[Salle Le Peletier]]](https://commons.wikimedia.org/wiki/Special:FilePath/L'Africaine 1865 - settings - Gallica.jpg?width=200 "Set designs for the original production at the [[Salle Le Peletier]]")
![Ricordi]], undated)<ref>[https://www.digitalarchivioricordi.com/it/iconografia/4231 ID: ICON006087], Archivo Storico Ricordi.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/Selika (mezzosoprano), figurino di artista ignoto per L'Africana (1865) - Archivio Storico Ricordi ICON006087.jpg?width=200 "Ricordi]], undated)<ref>[https://www.digitalarchivioricordi.com/it/iconografia/4231 ID: ICON006087], Archivo Storico Ricordi.</ref>")
![[[Victor Warot]] as Don Alvaro](https://commons.wikimedia.org/wiki/Special:FilePath/Victor Warot in Meyerbeer's L'Africaine.jpg?width=200 "[[Victor Warot]] as Don Alvaro")
Definition
Wikipedia
L'Africaine (The African Woman) is an 1865 French grand opéra in five acts with music by Giacomo Meyerbeer and a libretto by Eugène Scribe. Meyerbeer and Scribe began working on the opera in 1837, using the title L'Africaine, but around 1852 changed the plot to portray fictitious events in the life of the Portuguese explorer Vasco da Gama and introduced the working title Vasco de Gama, the French version of his name. The copying of the full score was completed the day before Meyerbeer died in 1864.
The opera was premiered the following year by the Paris Opéra in a version made by François-Joseph Fétis, who restored the earlier title, L'Africaine. The Fétis version was published and was used for subsequent performances until 2013, when some productions and recordings began using Meyerbeer's preferred title, Vasco de Gama, for performing versions with revisions based on the manuscript score. In 2018 the music publisher Ricordi issued a critical edition of Meyerbeer's manuscript full score under that title.
