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ημιτόνιο μουσικής - translation to English
ημιτόνιο μουσικής
half tone
half tone
![suspension]] of the ''B'' resolving into the following ''A minor seventh'' chord.](https://commons.wikimedia.org/wiki/Special:FilePath/Bach minor second smaller.png?width=200 "suspension]] of the ''B'' resolving into the following ''A minor seventh'' chord.")
![The melodic minor second is an integral part of most cadences of the [[Common practice period]].[[File:Cadence minor second V65-I.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Cadence minor second.png?width=200 "The melodic minor second is an integral part of most cadences of the [[Common practice period]].[[File:Cadence minor second V65-I.mid]]")
![diatonic semitone]]](https://commons.wikimedia.org/wiki/Special:FilePath/Just diatonic semitone.png?width=200 "diatonic semitone]]")
![16:15 diatonic semitone[[File:Just diatonic semitone on C.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Just diatonic semitone on C.png?width=200 "16:15 diatonic semitone[[File:Just diatonic semitone on C.mid]]")
![Transcendental Étude]], measure 63](https://commons.wikimedia.org/wiki/Special:FilePath/Liszt augmented unison.png?width=200 "Transcendental Étude]], measure 63")
!['Larger' or major limma on C[[File:Greater chromatic semitone on C.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Major limma on C.png?width=200 "'Larger' or major limma on C[[File:Greater chromatic semitone on C.mid]]")
![Dramatic chromatic scale in the opening measures of [[Luca Marenzio]]'s ''Solo e pensoso'', ca. 1580.[[File:Marenzio solo e pensoso opening.MID]]](https://commons.wikimedia.org/wiki/Special:FilePath/Marenzio solo e pensoso chromatic.png?width=200 "Dramatic chromatic scale in the opening measures of [[Luca Marenzio]]'s ''Solo e pensoso'', ca. 1580.[[File:Marenzio solo e pensoso opening.MID]]")
![Song Without Words]]'' Op. 102 No. 3, mm. 47–49.[[File:Mendelssohn dominants.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Mendelssohn dominants.png?width=200 "Song Without Words]]'' Op. 102 No. 3, mm. 47–49.[[File:Mendelssohn dominants.mid]]")
BASIC MUSICAL INTERVAL
Minor second; Half step; Halfstep; Half tone; Half-step; Semi-tone; Pythagorean limma; Semitones; Diatonic semitone; Minor Second; Just diatonic semitone; Just chromatic semitone; Pythagorean chromatic semitone; Pythagorean diatonic semitone; Demiton; Semitone maximus; Pythagorean apotome; Pythagorean major semitone; Pythagorean minor semitone; Major chroma; Major semitone; Octave and minor second; Larger limma; Larger chromatic semitone; Greater chromatic semitone; Pythagorean apotomē; Major diatonic semitone; Minor semitone; Pythagorean minor second; Just minor second; Just minor semitone; Apotome (music)
ημιτόνιο μουσικής
