faccia di culo - translation to English
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faccia di culo - translation to English

1967 FILM BY SERGIO SOLLIMA
Cara a Cara; Faccia a faccia

faccia di culo      
shit face (Vulgar)
Sandro Botticelli         
  • Engraving by [[Baccio Baldini]] after Botticelli
  • ''The Mystical Nativity'']] (c. 1500–01) [[National Gallery, London]].
  • ''[[Punishment of the Sons of Corah]]'', Sistine Chapel
  • ''[[Madonna of the Pomegranate]]'' (''Madonna della Melagrana''), c. 1487
  • ''San Barnaba Altarpiece'', c. 1487, Uffizi, 268 x 280 cm
  • Flora]], [[Chloris]], [[Zephyrus]]
  • ''Madonna and Child with St. John the Baptist'', c. 1470–1475, [[Louvre]]
  • One of the few fully coloured pages of the [[Divine Comedy Illustrated by Botticelli]], illustrating canto XVIII in the eighth circle of Hell.  Dante and Virgil descending through the ten chasms of the circle via a ridge.
  • ''[[Youth of Moses]]'', [[Sistine Chapel]]
  • ''[[Pallas and the Centaur]]'', c. 1482. [[Uffizi]], Florence.
  • ''[[The Birth of Venus]]'', c. 1485. [[Uffizi]], [[Florence]]
  • ''[[Magnificat Madonna]]'', c. 1483
  • The ''Bardi Altarpiece'', 1484–85, 185 x 180 cm
  • ''[[Madonna of the Book]]'', c.1480–3.
  • Lamentation of Christ]]'', early 1490s, [[Alte Pinakothek]], Munich.
  • Calumny of Apelles]]'' (c. 1494–95). [[Uffizi]], Florence.
  • ''[[Portrait of a Man with a Medal of Cosimo the Elder]]'', 1474; the medal is an inserted [[gesso]] cast of a real medal.
  • The Story of Lucretia]]'', c. 1500. [[Isabella Stewart Gardner Museum]], [[Boston, Massachusetts]].
  • Portrait, probably imagined, of Botticelli from Vasari's ''Life''
  • abbr=on}}, [[National Gallery, London]]
  • 1484–1486}})
  • Via Borgo Ognissanti in 2008, with the eponymous church halfway down on the right. Like the street, it has had a Baroque makeover since Botticelli's time.
  • Adoration of the Magi]]'', 1475, 111 cm × 134 cm (44 in × 53 in)
ITALIAN PAINTER (1445-1510)
Botticelli; Sandro Filipepi; Alessandro Botticelli; Bottichelli; Alessandro di Mariano Filipepi; Boticelli; Filipepi; Alessandro di Mariano di Vanni Filipepi; Il Botticello; Alessandro Di Mariano Del Filipepi; Allessandro Botticelli; Alessandro Di Mariano; Alessandro Di Mariano Filipepi; Alessandro Filipepi
n. Sandro Botticelli, (1444-1510) nato col vero nome di Alessandro di Mariano Filipepi, grande pittore del Rinascimento italiano autore fra l"altro della "Nascita di Venere"
Alessandro di Mariano Filipepi         
  • Engraving by [[Baccio Baldini]] after Botticelli
  • ''The Mystical Nativity'']] (c. 1500–01) [[National Gallery, London]].
  • ''[[Punishment of the Sons of Corah]]'', Sistine Chapel
  • ''[[Madonna of the Pomegranate]]'' (''Madonna della Melagrana''), c. 1487
  • ''San Barnaba Altarpiece'', c. 1487, Uffizi, 268 x 280 cm
  • Flora]], [[Chloris]], [[Zephyrus]]
  • ''Madonna and Child with St. John the Baptist'', c. 1470–1475, [[Louvre]]
  • One of the few fully coloured pages of the [[Divine Comedy Illustrated by Botticelli]], illustrating canto XVIII in the eighth circle of Hell.  Dante and Virgil descending through the ten chasms of the circle via a ridge.
  • ''[[Youth of Moses]]'', [[Sistine Chapel]]
  • ''[[Pallas and the Centaur]]'', c. 1482. [[Uffizi]], Florence.
  • ''[[The Birth of Venus]]'', c. 1485. [[Uffizi]], [[Florence]]
  • ''[[Magnificat Madonna]]'', c. 1483
  • The ''Bardi Altarpiece'', 1484–85, 185 x 180 cm
  • ''[[Madonna of the Book]]'', c.1480–3.
  • Lamentation of Christ]]'', early 1490s, [[Alte Pinakothek]], Munich.
  • Calumny of Apelles]]'' (c. 1494–95). [[Uffizi]], Florence.
  • ''[[Portrait of a Man with a Medal of Cosimo the Elder]]'', 1474; the medal is an inserted [[gesso]] cast of a real medal.
  • The Story of Lucretia]]'', c. 1500. [[Isabella Stewart Gardner Museum]], [[Boston, Massachusetts]].
  • Portrait, probably imagined, of Botticelli from Vasari's ''Life''
  • abbr=on}}, [[National Gallery, London]]
  • 1484–1486}})
  • Via Borgo Ognissanti in 2008, with the eponymous church halfway down on the right. Like the street, it has had a Baroque makeover since Botticelli's time.
  • Adoration of the Magi]]'', 1475, 111 cm × 134 cm (44 in × 53 in)
ITALIAN PAINTER (1445-1510)
Botticelli; Sandro Filipepi; Alessandro Botticelli; Bottichelli; Alessandro di Mariano Filipepi; Boticelli; Filipepi; Alessandro di Mariano di Vanni Filipepi; Il Botticello; Alessandro Di Mariano Del Filipepi; Allessandro Botticelli; Alessandro Di Mariano; Alessandro Di Mariano Filipepi; Alessandro Filipepi
n. Alessandro di Mariano Filipepi, Sandro Botticelli, (1444-1510) grande pittore del Rinascimento italiano autore fra l"altro della "Nascita di Venere"

Definition

DI
Destination Index [Additional explanations: register] (Reference: CPU, Intel, assembler)

Wikipedia

Face to Face (1967 film)

Face to Face (Italian: Faccia a faccia; Spanish: Cara a cara German: Hallelujah, der Teufel lässt Euch grüßen) is a 1967 Italian/Spanish international co-production Spaghetti Western film co-written and directed by Sergio Sollima and produced by Alberto Grimaldi. The film stars Gian Maria Volonté, Tomas Milian and William Berger, and features a musical score by Ennio Morricone. It is the second of Sollima's three Westerns, following The Big Gundown and predating Run, Man, Run, a sequel to the former. Milian stars in a lead role in all three films.

The film portrays the unlikely partnership of Professor Fletcher (Volonté), a university lecturer, and "Beauregard" Bennet (Milian), a wanted outlaw, and a series of events that results in an exchange of their moral values, culminating in Fletcher taking control of Bennet's bandit gang. Frequently interpreted as a parable based on the rise of European fascism, the story and themes of Face to Face were based on Sollima's wartime experiences, and his personal beliefs on the role of environments and societies in the shaping of a person's character.

A major success at the European box office, Face to Face has received praise from critics and scholars of the Spaghetti Western genre for its story and acting, although some criticism has been leveled at the execution of Fletcher's character arc. Sollima considered it to be one of the best and most personal of the films he directed.