womb-to-tomb - translation to italian
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womb-to-tomb - translation to italian

METAPHYSICAL SPACE INHABITED BY THE WISDOM KINGS IN VAJRAYANA BUDDHISM
Garbhadhatu; Womb realm; Womb-realm mandala
  • Samantabhadra]], Saṅkusumitarāja, [[Manjushri]], [[Amitābha]], [[Avalokiteśvara]], [[Amoghasiddhi]] and [[Maitreya]])

womb-to-tomb      
dal grembo alla tomba
chamber tomb         
COMMUNAL BURIAL PLACES, CUT INTO ROCK OR HILLSLOPES OR CONSTRUCTED OF MASONRY, WHOSE CHAMBER MAY OR MAY NOT HAVE AN ENTRY PASSAGE, USUALLY COVERED BY A MOUND
Chambered tomb; Chamber tombs; Burial chamber
camera mortuaria
Tomb Raider         
  • The entrance of 55 Ashbourne Road in [[Derby]] where Core Design used to develop ''Tomb Raider''.
  • Various incarnations of Lara Croft in the video game series. Despite multiple revisions to her clothing and general physique, her face and hair have remained generally consistent.<ref name="GI-213"/><ref name="IGN-ManyLooks"/>
  • A gameplay screenshot from ''Tomb Raider: Anniversary'', showing Lara jumping for a ledge below a door switch. While many mechanics within the ''Tomb Raider'' series have undergone changes, platforming and puzzle solving linked to this are recurring, standard elements within the series.
  • Toby Gard, a key creative figure for the series, at the 2005 [[Electronic Entertainment Expo]].
VIDEO GAME FRANCHISE CENTERING AROUND THE ADVENTURES OF THE ENGLISH ARCHAEOLOGIST LARA CROFT
Tomb raider; Lord Henshingly Croft; Jacqueline Natla; Qualopec; Tihocan; Werner Von Croy; Tomb Raider franchise; Tomb raider series; Tomb Raider Series; Amanda Evert; Sophia leigh; Winston (Tomb Raider); Larson (Tomb Raider); Pierre Dupont (Tomb Raider); Zip (Tomb Raider); Alister Fletcher; Sophia Leigh; List of Tomb Raider characters; Amelia Croft; Lord Richard Croft; Larson Conway; Pierre DuPont (Tomb Raider); Winston Smith (Tomb Raider); Ten Years of Tomb Raider; Tomb Raider series; List of recurring Tomb Raider characters; Natla of Atlantis; Tomb Raider (series); Tomb Raider (franchise); Characters of Tomb Raider; Tomb Raider: Amulet of Power; Ten Years of Tomb Raider: A GameTap Retrospective; Tomb Raider characters; Tomb Raider (reboot); Tomb Raider (2018 video game); Tomb Raider (video game); Tomb Raider 12; Tomb Raider (TV series)
film prodotto nel 2001 con Angelina Jolie come protagonista

Definition

To
·prep Addition; union; accumulation.
II. To ·prep Character; condition of being; purpose subserved or office filled.
III. To ·prep Apposition; connection; antithesis; opposition; as, they engaged hand to hand.
IV. To ·prep Accompaniment; as, she sang to his guitar; they danced to the music of a piano.
V. To ·prep Accord; adaptation; as, an occupation to his taste; she has a husband to her mind.
VI. To ·prep Comparison; as, three is to nine as nine is to twenty-seven; it is ten to one that you will offend him.
VII. To ·prep Extent; limit; degree of comprehension; inclusion as far as; as, they met us to the number of three hundred.
VIII. To ·prep In many phrases, and in connection with many other words, to has a pregnant meaning, or is used elliptically.
IX. To ·prep Effect; end; consequence; as, the prince was flattered to his ruin; he engaged in a war to his cost; violent factions exist to the prejudice of the state.
X. To ·prep The preposition to primarily indicates approach and arrival, motion made in the direction of a place or thing and attaining it, access; and also, motion or tendency without arrival; movement toward;
- opposed to from.
XI. To ·prep Hence, it indicates motion, course, or tendency toward a time, a state or condition, an aim, or anything capable of being regarded as a limit to a tendency, movement, or action; as, he is going to a trade; he is rising to wealth and honor.
XII. To ·prep In a very general way, and with innumerable varieties of application, to connects transitive verbs with their remoter or indirect object, and adjectives, nouns, and neuter or passive verbs with a following noun which limits their action. Its sphere verges upon that of for, but it contains less the idea of design or appropriation; as, these remarks were addressed to a large audience; let us keep this seat to ourselves; a substance sweet to the taste; an event painful to the mind; duty to God and to our parents; a dislike to spirituous liquor.
XIII. To ·prep As sign of the infinitive, to had originally the use of last defined, governing the infinitive as a verbal noun, and connecting it as indirect object with a preceding verb or adjective; thus, ready to go, i.e., ready unto going; good to eat, i.e., good for eating; I do my utmost to lead my life pleasantly. But it has come to be the almost constant prefix to the infinitive, even in situations where it has no prepositional meaning, as where the infinitive is direct object or subject; thus, I love to learn, i.e., I love learning; to die for one's country is noble, i.e., the dying for one's country. Where the infinitive denotes the design or purpose, good usage formerly allowed the prefixing of for to the to; as, what went ye out for see. (Matt. xi. 8).

Wikipedia

Womb Realm

In Vajrayana Buddhism, the Womb Realm (Sanskrit: garbhakoṣadhātu, Traditional Chinese: 胎蔵界; Pinyin: Tāizāngjiè; Rōmaji: taizōkai) is the metaphysical space inhabited by the Five Compassion Buddhas. The Womb Realm is based on the Mahavairocana Tantra. The name of the mandala derives from chapter 2 of the sutra, where it is said that the buddha Mahāvairocana revealed the mandala's secret teachings to his disciple Vajrasattva from his "womb of compassion". In other translations, the term Matrix Realm or Matrix Mandala are used.

The Womb Realm is a very popular subject for mandalas, and along with the Diamond Realm (vajradhātu) Mandala forms the Mandala of the Two Realms. This mandala, along with the Diamond Realm, form the core of Chinese Tangmi and Japanese Tendai and Shingon Buddhist rituals, including abhisheka "initiation". In this ritual, new initiates are blindfolded and asked to toss a flower upon a mandala. Where the flower lands helps decide which Buddhist figure the student should devote themselves to.

In traditional Tangmi and Shingon halls, the Womb Realm Mandala is hung on the east wall, symbolizing the young stage of Mahāvairocana. In this setting, the Diamond Realm Mandala is hung on the west wall symbolizing the final realization of Mahāvairocana.

Examples of use of womb-to-tomb
1. "It used to be, womb to tomb, the military took care of everything.
2. June 10 2005 03÷00 Sweden cannot sustain its generous womb–to–tomb welfare system unless it encourages more people to work, the Organisation for Economic Co–operation and Development has warned.
3. By the end of 2006, the Labor Department had quietly recorded 76' deaths and 3,367 injuries serious enough to require four or more days off the job. It used to be, womb to tomb, the military took care of everything.