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[sə'tirik]
синоним
прилагательное
общая лексика
сатирический
[ki:n]
общая лексика
интенсивный
острый
резкий
чувствительный
прилагательное
общая лексика
острый
остро отточенный
с острым лезвием
краем
концом и т. п.
острый (на вкус)
пикантный
пряный
резкий
пронизывающий
сильный
тонко
остро воспринимающий
обострённый
глубокий
напряжённый
интенсивный
едкий
язвительный
колкий
хитрый
проницательный
соревновательный
живо интересующийся
страстно увлекающийся
страстно желающий чего-л.
стремящийся к чему-л.
резкий, пронзительный
жестокий, трескучий (мороз)
тонкий, острый (слух и т. п.)
сильный, глубокий (о чувствах)
сильный, интенсивный
ревностный, энергичный
сильно желающий (чего-л.), стремящийся (к чему-л.)
строгий, резкий (о критике и т. п.)
трудный, напряженный
низкий, сниженный (о ценах)
разговорное выражение
чудесный
превосходный
синоним
антоним
существительное
[ki:n]
общая лексика
причитание по покойнику (в Ирландии)
плач, причитание по покойнику
глагол
[ki:n]
общая лексика
причитать по покойнику (в Ирландии)
вопить
голосить
оплакивать покойника с причитаниями (по ирландским обычаям)
причитать
The Satires (Latin: Saturae) are a collection of satirical poems by the Latin author Juvenal written between the end of the first and the early second centuries A.D.
Juvenal is credited with sixteen known poems divided among five books; all are in the Roman genre of satire, which, at its most basic in the time of the author, comprised a wide-ranging discussion of society and social mores in dactylic hexameter. The sixth and tenth satires are some of the most renowned works in the collection. The poems are not individually titled, but translators have often added titles for the convenience of readers.
Roman Satura was a formal literary genre rather than being simply clever, humorous critique in no particular format. Juvenal wrote in this tradition, which originated with Lucilius and included the Sermones of Horace and the Satires of Persius. In a tone and manner ranging from irony to apparent rage, Juvenal criticizes the actions and beliefs of many of his contemporaries, providing insight more into value systems and questions of morality and less into the realities of Roman life. The author employs outright obscenity less frequently than Martial or Catullus, but the scenes painted in his text are no less vivid or lurid for that discretion.
The author makes constant allusion to history and myth as a source of object lessons or exemplars of particular vices and virtues. Coupled with his dense and elliptical Latin, these tangential references indicate that the intended reader of the Satires was highly educated. The Satires are concerned with perceived threats to the social continuity of the Roman citizens: social-climbing foreigners, unfaithfulness, and other more extreme excesses of their own class. The intended audience of the Satires constituted a subset of the Roman elite, primarily adult males of a more conservative social stance.
Scholarly estimates for the dating of the individual books have varied. It is generally accepted that the fifth book must date to a point after 127, because of a reference to the Roman consul Lucius Aemilius Juncus in Satire 15. A recent scholar has argued that the first book should be dated to 100 or 101. Juvenal's works are contemporary with those of Martial, Tacitus and Pliny the Younger.