you"ll hear from me - translation to spanish
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you"ll hear from me - translation to spanish

SONG COMPOSED BY DUKE ELLINGTON; LYRICAL ADAPTATION OF "CONCERTO FOR COOTIE", LYRICS IN ENGLISH BY BOB RUSSELL
Do Nothin' Till You Hear From Me; Do Nothin’ Till You Hear From Me; Do Nothing 'Til You Hear From Me; Do Nothing 'Till You Hear From Me; Do Nothin' Till You Hear from Me; Do nothing till you hear from me; Do Nothing Till You Hear from Me; Do Nothin' Til You Hear From Me; Do Nothin' til You Hear From Me; Do Nothing 'Til You Hear from Me; Concerto for Cootie; Do Nothin' 'Til You Hear from Me; Do Nothing 'til You Hear from Me

you'll hear from me      
Sabrá de mí (el asunto entre nosotros está pendiente)
between you and me         
  • The members of DC Talk prepare to open the box near the end of the video.
WIKIMEDIA DISAMBIGUATION PAGE
Between You & Me; Between you and me; Between You and Me (disambiguation); Move Between You and Me; Between You & Me (song); Between You and Me (song)
= entre tú y yo, entre nosotros, que quede entre nosotros
Ex: That's why it's also correct to to keep the secret "between you and me".
between you and me         
  • The members of DC Talk prepare to open the box near the end of the video.
WIKIMEDIA DISAMBIGUATION PAGE
Between You & Me; Between you and me; Between You and Me (disambiguation); Move Between You and Me; Between You & Me (song); Between You and Me (song)
entre tú y yo

Definition

me
Dativo o acusativo del pronombre personal de primera persona en género masculino y femenino y número singular. Es siempre átono. No admite preposición y se puede usar pospuesto al verbo, como enclítico, cuando este es infinitivo, imperativo o gerundio.

Wikipedia

Do Nothing till You Hear from Me

"Do Nothing till You Hear from Me" (also written as "Do Nothin' Til You Hear from Me") is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental ("Concerto for Cootie") that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944, Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart.

Other recordings to reach the Billboard charts in 1944 were by Woody Herman and by Stan Kenton (vocal: Red Dorris).