ضعف$3$ - traducción al Inglés
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ضعف$3$ - traducción al Inglés

Triad (chord); 3-1; 3-6; 3-9; 3-11; 3-2A; 3-2B; 3-3B; 3-3A; 3-4B; 3-4A; 3-5B; 3-5A; 3-11A; 3-11B; 3-7B; 3-7A; 3-8B; 3-8A; 3-12
  • The seven contiguous trichords in C major. See also: [[Cardinality equals variety]].

ضعف      
craze, crack
THIRDLY         
  • 16px
  • The [[Shield of the Trinity]] is a diagram of the Christian doctrine of the Trinity.
  • 50px
  • Symbol of the Triple Goddess showing the waxing, full and waning Moon
NATURAL NUMBER
Three-ness; Number 3; ₃; ٣; ۳; Triad (Greek philosophy); 3; The number three; ৩; ३; ៣; ➌; ➂; ❸; Triad (symbol); 𐡚; ꩓; ༣; ௩; ੩; ౩; ૩; ୩; ೩; ൩; ߃; ໓; ၃; ႓; ꧓; ᥉; 𐒣; ꣓; Thirdly; 3 (digit); (III); Flat-top 3; Flat top three; Flat-top three; Flat top 3; Three (number); 3 (number); 3️⃣; ASCII 51; \x33; U+0033

ألاسم

ثَلَاثَة

الصفة

ثَلَاثَة

thirdly         
  • 16px
  • The [[Shield of the Trinity]] is a diagram of the Christian doctrine of the Trinity.
  • 50px
  • Symbol of the Triple Goddess showing the waxing, full and waning Moon
NATURAL NUMBER
Three-ness; Number 3; ₃; ٣; ۳; Triad (Greek philosophy); 3; The number three; ৩; ३; ៣; ➌; ➂; ❸; Triad (symbol); 𐡚; ꩓; ༣; ௩; ੩; ౩; ૩; ୩; ೩; ൩; ߃; ໓; ၃; ႓; ꧓; ᥉; 𐒣; ꣓; Thirdly; 3 (digit); (III); Flat-top 3; Flat top three; Flat-top three; Flat top 3; Three (number); 3 (number); 3️⃣; ASCII 51; \x33; U+0033
ثالثا

Definición

AT-3
<language> The original name of MATH-MATIC. [Sammet 1969, p. 135]. (2000-02-24)

Wikipedia

Trichord

In music theory, a trichord () is a group of three different pitch classes found within a larger group. A trichord is a contiguous three-note set from a musical scale or a twelve-tone row.

In musical set theory there are twelve trichords given inversional equivalency, and, without inversional equivalency, nineteen trichords. These are numbered 1–12, with symmetrical trichords being unlettered and with uninverted and inverted nonsymmetrical trichords lettered A or B, respectively. They are often listed in prime form, but may exist in different voicings; different inversions at different transpositions. For example, the major chord, 3-11B (prime form: [0,4,7]), is an inversion of the minor chord, 3-11A (prime form: [0,3,7]). 3-5A and B are the Viennese trichord (prime forms: [0,1,6] and [0,5,6]).