Vermillion$90021$ - traducción al español
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Vermillion$90021$ - traducción al español

BOOK BY J.G. BALLARD
Vermillion sands; Vermillion Sands
  • Ballard's Vermilion Sands story "The Singing Statues" was omitted from the first American editions.
  • In 1963, another Emshwiller cover illustrated the Vermilion Sands story "The Screen Game".

Vermillion      
n. Verillón ( ciudad al sur de Dakota, en EEUU)
mercuric sulphide         
  • Cinnabar (red portion of specimen) from Nevada, US.
  • 150px
  • 150px
CHEMICAL COMPOUND
Mercuric sulfide; Mercury (II) sulfide; Mercury(II) sulfide; Mercury sulphide; Cinnabar of antimony; HgS; Red mercury sulfide; Chinese vermillion; Quicksilver vermillion; Mercuric sulphide; Mercury(II) sulphide
(n.) = sulfuro de mercurio
Ex: For red ink the usual colour was ground vermilion (i.e. red mercuric sulphide).
vermillion         
  • Vermilion flycatcher (male)
  • The Venetian painter [[Titian]] used vermilion for dramatic effect. In the ''Assumption of the Virgin'' (1516–18), the vermilion robes draw the eye to the main characters.
COLOR
Chinese red; China red; Vermillion; Vermilion substitute; Red-orange; Orange-red; Vermilion (color); Red-Orange; Orange red; Orangered; Redorange; Orange Red; OrangeRed; Zinnober
bermellón

Definición

vermilion
Vermilion is used to describe things that are bright red in colour. (LITERARY)
...her vermilion lip gloss...
The furniture on it is glossy vermilion.
COLOUR

Wikipedia

Vermilion Sands

Vermilion Sands is a collection of science fiction short stories by British writer J. G. Ballard, first published in 1971. All the stories are set in an imaginary vacation resort called Vermilion Sands which suggests, among other places, Palm Springs in southern California. The characters are generally the wealthy and disaffected, or people who make a living off them, as well as parasites of various kinds.

In the preface, Ballard himself wrote: "Vermilion Sands has more than its full share of dreams and illusions, fears and fantasies, but the frame for them is less confining. I like to think, too, that it celebrates the neglected virtues of the glossy, lurid and bizarre."

A Times Literary Supplement review describes the collection's surrealist mood : "J.G. Ballard is … one of the most accomplished creators of evocative landscapes in modern fiction … he achieves this effect partly by painting his desert in the manner of Dali, a mixture of appalling clarity and the exotic."