Traducción y análisis de palabras por inteligencia artificial ChatGPT
En esta página puede obtener un análisis detallado de una palabra o frase, producido utilizando la mejor tecnología de inteligencia artificial hasta la fecha:
- cómo se usa la palabra
- frecuencia de uso
- se utiliza con más frecuencia en el habla oral o escrita
- opciones de traducción
- ejemplos de uso (varias frases con traducción)
- etimología
glazed imitation paper - traducción al ruso
![Listen]] ) <br /> The first note of the subject, D, (in red) is a prominent dominant note, demanding that the first note of the answer (in blue) sounds as the tonic, G, rather than A.](https://commons.wikimedia.org/wiki/Special:FilePath/Respuesta tonal en la fuga.jpg?width=200 "Listen]] ) <br /> The first note of the subject, D, (in red) is a prominent dominant note, demanding that the first note of the answer (in blue) sounds as the tonic, G, rather than A.")
![tonic]] triad—in this case, a C, E, or G.](https://commons.wikimedia.org/wiki/Special:FilePath/Row Your Boat.png?width=200 "tonic]] triad—in this case, a C, E, or G.")
['imiteit]
общая лексика
имитировать
подражать
копировать
глагол
общая лексика
подражать
копировать
имитировать
передразнивать
подделывать
подражать, стараться быть похожим
имитировать, копировать
имитировать, подделывать
биология
принимать окраску или повадки других организмов
синоним
антоним
Definición
Wikipedia
In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice. The melody may vary through transposition, inversion, or otherwise, but retain its original character. The intervals and rhythms of an imitation may be exact or modified; imitation occurs at varying distances relative to the first occurrence, and phrases may begin with voices in imitation before they freely go their own ways.
Imitation helps provide unity to a composition and is used in forms such as the fugue and canon.
The near universality of imitation in polyphonic styles in Western music (and its frequency in homorhythmic, homophonic, and other textures) is evidence enough of its paradoxical value in asserting the individuality of voices.
