Étude No 3 (Villa-Lobos) - significado y definición. Qué es Étude No 3 (Villa-Lobos)
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Qué (quién) es Étude No 3 (Villa-Lobos) - definición

BRAZILIAN COMPOSER
Hector Villa Lobos; Hector Villa-Lobos; Heitor Villa Lobos; Villa Lobos; Villa-Lobos; Villa-lobos
  • Poster announcing appearance of Villa-Lobos in São Paulo (February 17, 1922)
  • Villa-Lobos on a 1987 500 [[Brazilian cruzado]]s banknote
  • Facsimile of Villa-Lobos's "Escravos de Jó" (Slaves of Job)
  • Villa-Lobos statue next to Rio de Janeiro's Municipal Theater
  • Villa-Lobos at the end of a concert in Tel Aviv, 1952

Étude No. 3 (Villa-Lobos)         
Heitor Villa-Lobos's Étude No. 3, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
Juan Sánchez-Villalobos Ramírez         
FICTIONAL CHARACTER FROM THE AMERICAN FANTASY FILM HIGHLANDER (1986)
Juan Sanchez Villa-Lobos Ramirez; Juan Sanchez Villa-Lobos Ramírez; Ramirez (Highlander); Ramírez (Highlander); Juan Sánchez Villa-Lobos Ramírez
Juan Sánchez-Villalobos Ramírez is a fictional character in the Highlander franchise, which covers multiple timelines. Born under the name Tak-Ne, he is generally depicted as an Egyptian swordsman who is immortal due to an energy called the Quickening, unable to die unless beheaded.
Transcendental Étude No. 9 (Liszt)         
COMPOSITION FOR PIANO BY FRANZ LISZT
No. 9 in A-flat, "Ricordanza"; Transcendental Etude No. 9 in A-flat (Liszt); Transcendental Etude No. 9 in A flat (Liszt); Transcendental Etude No. 9 (Liszt); Ricordanza
Transcendental Étude No. 9 in A-flat, "Ricordanza" is the ninth of the twelve Transcendental Études by Franz Liszt.

Wikipedia

Heitor Villa-Lobos

Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory.