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En esta página puede obtener un análisis detallado de una palabra o frase, producido utilizando la mejor tecnología de inteligencia artificial hasta la fecha:
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- etimología
Qué (quién) es B'in Music - definición
B'in Music
TAIWANESE RECORD LABEL
BI'N Music; Believe in Music; Bin Music International; Bin Music; Believe In Music International
B'in Music, otherwise known as Believe in Music International Limited () in full or B'in Music (), is a Taiwan-based recording company, formally established on July 1, 2006, and founded by Ason Chen in Taipei.
Art music
![Allegro]]). He completed the piece in 1816.](https://commons.wikimedia.org/wiki/Special:FilePath/Beethoven opus 101 manuscript.jpg?width=200 "Allegro]]). He completed the piece in 1816.")
SERIOUS MUSIC, AS OPPOSED TO POPULAR OR FOLK MUSIC; META-GENRE COVERING GLOBAL CLASSICAL MUSIC DEVELOPMENTS
Serious music; Erudite music; Art-music; Formal music; Cultivated music; Canonic music
Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high phonoaesthetic value. It typically implies advanced structural and theoretical considerationsJacques Siron, "Musique Savante (Serious music)", Dictionnaire des mots de la musique (Paris: Outre Mesure): 242.
Aleatoric music
![Klavierstück XI]] at Darmstadt, July 1957](https://commons.wikimedia.org/wiki/Special:FilePath/Bundesarchiv B 145 Bild-F004566-0002, Darmstadt, Internationaler Kurs für neue Musik.jpg?width=200 "Klavierstück XI]] at Darmstadt, July 1957")
MUSIC IN WHICH SOME ELEMENT OF THE COMPOSITION IS LEFT TO CHANCE, AND/OR SOME PRIMARY ELEMENT OF A COMPOSED WORK'S REALIZATION IS LEFT TO THE DETERMINATION OF ITS PERFORMER(S)
Aleatoric composition; Aleatory music; Chance Music; Chance music; Aleatory Music; Mobile form; Aleatoric technique; Mobile (music); Musical mobile; Chance (music); Open form chance music; Open form music
Aleatoric music (also aleatory music or chance music; from the Latin word alea, meaning "dice") is music in which some element of the composition is left to chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities.
