tympani - définition. Qu'est-ce que tympani
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Qu'est-ce (qui) est tympani - définition

LARGE PERCUSSION MUSICAL INSTRUMENT WHICH PRODUCES A DEFINITE PITCH
Kettle drum; Timpanist; Tympani; Kettledrum; Kettledrums; Tímpano; Kettle-drum; Pauken; Kettle drums; Kettle Drums; User:TUF-KAT/Vessel drum; Timpany; Timpe; Timpan; Semispherical drum; Timpanies; Timpini; Pedal timpani; Timpani pedal; Timps; Temple drum
  • Balanced action timpani are often used in outdoor performances because of their durability.
  • flat}}, respectively. All pedaling is executed on the middle two drums. Each pedal change is indicated by a colored line: red for the larger and blue for the smaller of the middle drums.
  • On chain timpani, a chain links the tension rods so a master handle can be used to turn them all at once.
  • Although by the early 19th century, timpani were most commonly found in orchestras, ceremonial trumpet and timpani ensembles still existed.
  • A pedal on a ''Dresden'' timpano—the clutch (seen here on the left) must be disengaged to change the pitch of the drum.
  • In the 15th century, timpani were used with [[trumpet]]s as ceremonial instruments in the [[cavalry]].
  • [[John Bonham]] of [[Led Zeppelin]] with a timpano.
  • This 1976 photograph shows marching timpani ''grounded'' with legs extended.
  • A [[naqareh]] from [[Rajasthan]], [[India]]
  • The opening section of Persian Mysticism Around G featured by solo timpani using the glissando effect (recorded 1980 by Colosseum Musikstudios, performed by the Nuremberg Symphony Orchestra conducted by Alexander Rahbari).
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  • A standard set of timpani consists of four drums.
  • The inside, bottom of a Yamaha pedal timpano, showing the mechanical tension-adjusting system
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  • Timpani F major triad
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  • chain]] timpani set up in three different combinations.
  • Timpanists use a variety of timpani sticks since each produces a different [[timbre]].

Tympani         
·pl of Tympano.
tympani         
¦ plural noun variant spelling of timpani.
Chorda tympani         
  • Right chorda tympani nerve, viewed from lateral side
NERVE CARRYING TASTE SENSATIONS
Chorda tympani nerve; Nervus corda tympani; Tympanic cord; Corda tympani nerve
The chorda tympani is a branch of the facial nerve that originates from the taste buds in the front of the tongue, runs through the middle ear, and carries taste messages to the brain. It joins the facial nerve (cranial nerve VII) inside the facial canal, at the level where the facial nerve exits the skull via the stylomastoid foramen, but exits through the petrotympanic fissure and descends in the infratemporal fossa.

Wikipédia

Timpani

Timpani (; Italian pronunciation: [ˈtimpani]) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are pedal timpani and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands.

Timpani is an Italian plural, the singular of which is timpano. However, in English the term timpano is only widely in use by practitioners: several are more typically referred to collectively as kettledrums, timpani, temple drums, or timps. They are also often incorrectly termed timpanis. A musician who plays timpani is a timpanist.

Exemples du corpus de texte pour tympani
1. Leiber and Stoller‘s productions of the Drifters‘ "This Magic Moment" and "Save the Last Dance for Me" were as sophisticated and daring as pop records had ever been, until Bacharach/David started making their own magic with Dionne Warwick‘s string of hits like "Don‘t Make Me Over" and "Anyone Who Had a Heart" with its thundering tympani and dramatic setting.