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In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
Cosa (chi) è elision$24326$ - definizione
Robert Bridges' Theory of Elision; Robert Bridges' theory of elision
elide
OMISSION OF ONE OR MORE SOUNDS IN A WORD OR PHRASE
Élision; Contraction (phonology); Elide; Deletion (phonology); Ellided; Ellision; Elided; Elisions; Eliding; Deletion (linguistics); Vowel deletion
[?'l??d]
¦ verb
1. [often as adjective elided] omit (a sound or syllable) when speaking.
2. join together; merge.
Origin
C16: from L. elidere 'crush out'.
ELISION Ensemble
BAND
User:Elision1986/ELISION Ensemble
The ELISION Ensemble (often referred to as simply ELISION) is a chamber ensemble specialising in contemporary classical music, concentrating on the creation and presentation of new works. The ensemble comprises a core of around 20 virtuoso musicians from Australia and around the world.
elide
OMISSION OF ONE OR MORE SOUNDS IN A WORD OR PHRASE
Élision; Contraction (phonology); Elide; Deletion (phonology); Ellided; Ellision; Elided; Elisions; Eliding; Deletion (linguistics); Vowel deletion
(elides, eliding, elided)
1.
If you elide something, especially a distinction, you leave it out or ignore it. (FORMAL)
These habits of thinking elide the difference between what is common and what is normal.
VERB: V n
2.
In linguistics, if you elide a word, you do not pronounce or write it fully. (TECHNICAL)
He complained about BBC announcers eliding their words.
= contract
VERB: V n
Wikipedia
Robert Bridges's theory of elision
Robert Bridges's theory of elision is a theory of elision developed by the poet Robert Bridges, while he was working on a prosodic analysis of John Milton's poems Paradise Lost, Paradise Regained, and Samson Agonistes. Bridges describes his theory in thorough detail in his 1921 book Milton's Prosody. With his definition of poetic elision, Bridges is able to demonstrate that no line in Paradise Lost contains an extra unmetrical syllable mid-line; that is, any apparent extra mid-line syllable can be explained as an example of Bridges's elision.
