fugue$30301$ - definizione. Che cos'è fugue$30301$
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Cosa (chi) è fugue$30301$ - definizione

DISSOCIATIVE DISORDER
Fugue (psychology); Dissociative Fugue; Dissociative fugue; Psychogenic fugue; Psychogenic trance; Fugue State; Common reality of dissociative fugue; Dissociative fugue state; Psychogenic Fugue; Jody Roberts

Prélude, Choral et Fugue (Franck)         
COMPOSITION FOR PIANO BY CÉSAR FRANCK
Prelude, Chorale and Fugue (Franck); Prélude, Chorale et Fugue (Franck); Prelude, Choral et Fugue (Franck); Prelude, Choral et Fugue; Prelude, Chorale, and Fugue; Prélude, Choral et Fugue; Prélude, Chorale and Fugue
Prélude, Choral et Fugue, FWV 21 is a work for solo piano written in 1884 by César Franck. This work is an exemplar of Franck's distinctive use of cyclic form.
fugue         
  • sharp}} minor, Op. 131, opening fugal exposition. [https://www.youtube.com/watch?v=WlFYC1U5viw Listen]
  • ''Well-Tempered Clavier'', Book 1]]. This passage is bars 6/7, at the end of the codetta before the first entry of the third voice, the bass, in the exposition. The false entry occurs in the alto, and consists of the head of the subject only, marked in red. It anticipates the true entry of the subject, marked in blue, by one [[quarter note]].
  • Example of ''stretto'' fugue in a quotation from Fugue in C major by [[Johann Caspar Ferdinand Fischer]] who died in 1746. The subject, including an eighth note rest, is seen in the alto voice, starting on beat 1 bar 1 and ending on beat 1 bar 3, which is where the answer would usually be expected to begin. As this is a ''stretto'', the answer already takes place in the tenor voice, on the third quarter note of the first bar, therefore coming in "early"[[File:Fugue in C major by Johann Caspar Ferdinand Fischer.mid]]
  • fourth]] (dissonant) and therefore cannot be employed in [[invertible counterpoint]], without preparation and resolution.
  • Fugal passage from the finale of Mozart's Symphony No. 41 (''Jupiter'')[[File:Mozart Symphony 41, finale, fugal passage.wav]]
  • Liszt Piano Sonata fugue subject [https://www.youtube.com/watch?v=VwXtuavTed0 Link to passage]
  • Fugue No. 16 in G minor, BWV 861]], from the ''[[Well-Tempered Clavier]]'', Book 1. The first note of the subject, D (in red), is a prominent dominant note, demanding that the first note of the answer (in blue) sound as the tonic, G.[[File:Comienzo Fuga en Sol menor.mid]]
  • ''Well-Tempered Clavier'', Book 1]] (bars 7–12)[[File:Wiki fugue analysis audio.mid]]
CONTRAPUNTAL MUSICAL FORM BASED ON A SUBJECT THAT RECURS IN IMITATION
Fugue (music); Fughetta; Fugal; Fugato; Quadruple fugue; Fuga contraria; Fuge; Double fugue; Fugues; Answer (fugue); Modulating subject; Tonal answer; Real answer; Modified answer; Gegenfuge; Fugeu
(fugues)
A fugue is a piece of music that begins with a simple tune which is then repeated by other voices or instrumental parts with small variations. (TECHNICAL)
N-COUNT
Fughetta         
  • sharp}} minor, Op. 131, opening fugal exposition. [https://www.youtube.com/watch?v=WlFYC1U5viw Listen]
  • ''Well-Tempered Clavier'', Book 1]]. This passage is bars 6/7, at the end of the codetta before the first entry of the third voice, the bass, in the exposition. The false entry occurs in the alto, and consists of the head of the subject only, marked in red. It anticipates the true entry of the subject, marked in blue, by one [[quarter note]].
  • Example of ''stretto'' fugue in a quotation from Fugue in C major by [[Johann Caspar Ferdinand Fischer]] who died in 1746. The subject, including an eighth note rest, is seen in the alto voice, starting on beat 1 bar 1 and ending on beat 1 bar 3, which is where the answer would usually be expected to begin. As this is a ''stretto'', the answer already takes place in the tenor voice, on the third quarter note of the first bar, therefore coming in "early"[[File:Fugue in C major by Johann Caspar Ferdinand Fischer.mid]]
  • fourth]] (dissonant) and therefore cannot be employed in [[invertible counterpoint]], without preparation and resolution.
  • Fugal passage from the finale of Mozart's Symphony No. 41 (''Jupiter'')[[File:Mozart Symphony 41, finale, fugal passage.wav]]
  • Liszt Piano Sonata fugue subject [https://www.youtube.com/watch?v=VwXtuavTed0 Link to passage]
  • Fugue No. 16 in G minor, BWV 861]], from the ''[[Well-Tempered Clavier]]'', Book 1. The first note of the subject, D (in red), is a prominent dominant note, demanding that the first note of the answer (in blue) sound as the tonic, G.[[File:Comienzo Fuga en Sol menor.mid]]
  • ''Well-Tempered Clavier'', Book 1]] (bars 7–12)[[File:Wiki fugue analysis audio.mid]]
CONTRAPUNTAL MUSICAL FORM BASED ON A SUBJECT THAT RECURS IN IMITATION
Fugue (music); Fughetta; Fugal; Fugato; Quadruple fugue; Fuga contraria; Fuge; Double fugue; Fugues; Answer (fugue); Modulating subject; Tonal answer; Real answer; Modified answer; Gegenfuge; Fugeu
·noun a short, condensed fugue.

Wikipedia

Fugue state

Dissociative fugue (), formerly called a fugue state or psychogenic fugue, is a mental and behavioral disorder that is classified variously as a dissociative disorder, a conversion disorder, and a somatic symptom disorder. The disorder is a rare psychiatric phenomenon characterized by reversible amnesia for one's identity, including the memories, personality, and other identifying characteristics of individuality. The state can last for days, months, or longer. Dissociative fugue usually involves unplanned travel or wandering and is sometimes accompanied by the establishment of a new identity. It is a facet of dissociative amnesia, according to the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-5).

After recovery from a fugue state, previous memories usually return intact, and further treatment is unnecessary. An episode of fugue is not characterized as attributable to a psychiatric disorder if it can be related to the ingestion of psychotropic substances, to physical trauma, to a general medical condition or to dissociative identity disorder, delirium, or dementia. Fugues are precipitated by a series of long-term traumatic episodes. It is most commonly associated with childhood victims of sexual abuse who learn to dissociate memory of the abuse (dissociative amnesia).