opus$55428$ - definizione. Che cos'è opus$55428$
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Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT

In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:

  • come viene usata la parola
  • frequenza di utilizzo
  • è usato più spesso nel discorso orale o scritto
  • opzioni di traduzione delle parole
  • esempi di utilizzo (varie frasi con traduzione)
  • etimologia

Cosa (chi) è opus$55428$ - definizione

Opus Interassile; Interasile; Opus interasile; Opus interassile
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Opus craticum         
  • The House of ''Opus Craticum'', [[Herculaneum]], Italy
Opus craticum or craticii is an ancient Roman construction technique described by Vitruvius in his books De architectura as wattlework which is plastered over. It is often employed to construct partition walls and floors.
Opus Anglicanum         
  • [[The Butler-Bowden Cope]], 1330–50, V&A Museum
  • Section of a 15th-century English [[chasuble]]
EMBROIDERED WORKS MADE IN MEDIEVAL ENGLAND FEATURING SILK AND METAL THREADS, OFTEN ON A SILK TWILL OR VELVET GROUND
Opus Angelicum; Opus anglicanum; English work
Opus Anglicanum or English work is fine needlework of Medieval England done for ecclesiastical or secular use on clothing, hangings or other textiles, often using gold and silver threads on rich velvet or linen grounds. Such English embroidery was in great demand across Europe, particularly from the late 12th to mid-14th centuries and was a luxury product often used for diplomatic gifts.
Philip of Opus         
ANCIENT GREEK PHILOSOPHER
Philippus of Opus
Philip (or Philippus) of Opus (), was a philosopher and a member of the Academy during Plato's lifetime. Philip was the editor of Plato's Laws.

Wikipedia

Opus interrasile

Opus interrasile, lit. 'work shaved or scraped in-between' is a pierced openwork metalworking technique found from the 3rd century AD, and remaining popular in Byzantine jewellery. It was developed and popularized in Rome, where metalworkers used it to make arabesques and other similar designs. The technique involves punching holes in metal to simulate lattice patterns, openwork gold jewelry, and so on. Patterns were often drawn on the metal, and then various tools used to remove the desired pieces.

The technique may be referred more generically to as openwork or pierced work. The equivalent technique in Japan is called sukashibori, and is found in Buddhist art.