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Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
Cosa (chi) è von keinem Wert sein - definizione
FRANCO-FLEMISH COMPOSER
Giaches de wert; Giaces de Wert; Jacob Wert; Jaches de Wert; Giaches de Vuert; Jacques de Wert
![Ducal Palace]] in Mantua: Wert was choir director here from 1565 until 1592.](https://commons.wikimedia.org/wiki/Special:FilePath/Mantua Palazzo Ducale.jpg?width=200 "Ducal Palace]] in Mantua: Wert was choir director here from 1565 until 1592.")
Giaches de Wert
Giaches de Wert (also Jacques/Jaches de Wert, Giaches de Vuert; 1535 – 6 May 1596) was a Franco-Flemish composer of the late Renaissance, active in Italy. Intimately connected with the progressive musical center of Ferrara, he was one of the leaders in developing the style of the late Renaissance madrigal.
Sein Beda
MUSICAL ARTIST
Sein Baydar
Friday, 1st waxing of Nadaw 1244 MEHis birthday is reported as Friday, New Moon of Tazaungmon 1244 ME, which translates to Thursday, 9 November 1882. If he was indeed born on a Friday—the weekday of birth is quite important in Burmese culture, and is less likely to be misremembered; and indeed his zata name was Tha Hlaing, a Friday born name—the birthdate was most probably Friday, 10 November 1882.
Ordnung muss sein
GERMAN PROVERB
Ordnung Muss Sein
(reformed) or (traditional) is a German proverbial expression which translates as "there must be order". The idea of "order" is generally recognized as a key cliche for describing German culture.
Wikipedia
Giaches de Wert
Giaches de Wert (also Jacques/Jaches de Wert, Giaches de Vuert; 1535 – 6 May 1596) was a Franco-Flemish composer of the late Renaissance, active in Italy. Intimately connected with the progressive musical center of Ferrara, he was one of the leaders in developing the style of the late Renaissance madrigal. He was one of the most influential of late sixteenth-century madrigal composers, particularly on Claudio Monteverdi, and his later music was formative on the development of music of the early Baroque era.
