Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
Duchamp - traduzione in francese
![Marcel Duchamp. ''[[Nude Descending a Staircase, No. 2]]'' (1912). Oil on canvas. 57 7/8" x 35 1/8". [[Philadelphia Museum of Art]].](https://commons.wikimedia.org/wiki/Special:FilePath/Duchamp - Nude Descending a Staircase.jpg?width=200 "Marcel Duchamp. ''[[Nude Descending a Staircase, No. 2]]'' (1912). Oil on canvas. 57 7/8\" x 35 1/8\". [[Philadelphia Museum of Art]].")
![''[[The Large Glass]]'' (1915–1923) [[Philadelphia Museum of Art]] Collection](https://commons.wikimedia.org/wiki/Special:FilePath/Duchamp LargeGlass.jpg?width=200 "''[[The Large Glass]]'' (1915–1923) [[Philadelphia Museum of Art]] Collection")
![installed]] in the [[Philadelphia Museum of Art]] in 1969](https://commons.wikimedia.org/wiki/Special:FilePath/Etant donnes.jpg?width=200 "installed]] in the [[Philadelphia Museum of Art]] in 1969")
![mm}}, [[Philadelphia Museum of Art]]](https://commons.wikimedia.org/wiki/Special:FilePath/Label for the Belle Haleine cropped.png?width=200 "mm}}, [[Philadelphia Museum of Art]]")
![Man Ray, 1920, ''Three Heads'' ([[Joseph Stella]] and Marcel Duchamp, painting bust portrait of Man Ray above Duchamp), gelatin silver print, 20.7 × 15.7 cm, [[Museum of Modern Art]], New York](https://commons.wikimedia.org/wiki/Special:FilePath/Man Ray, 1920, Three Heads (Joseph Stella and Marcel Duchamp), gelatin silver print, 20.7 x 15.7 cm, Museum of Modern Art.jpg?width=200 "Man Ray, 1920, ''Three Heads'' ([[Joseph Stella]] and Marcel Duchamp, painting bust portrait of Man Ray above Duchamp), gelatin silver print, 20.7 × 15.7 cm, [[Museum of Modern Art]], New York")
![Marcel Duchamp's gravestone [[Rouen]], France with the epitaph, ''D'ailleurs, c'est toujours les autres qui meurent'' (Besides, it's always the others who die)](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp's gravestone in Rouen, France.jpg?width=200 "Marcel Duchamp's gravestone [[Rouen]], France with the epitaph, ''D'ailleurs, c'est toujours les autres qui meurent'' (Besides, it's always the others who die)")
, Sad Young Man on a Train (Nu -esquisse-, jeune homme triste dans un train), Peggy Guggenheim Collection, Venice.jpg?width=200 "archive-date=12 May 2014 }}</ref>")
![Fountain]]'' (1917) by [[Alfred Stieglitz]]](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp, 1917, Fountain, photograph by Alfred Stieglitz.jpg?width=200 "Fountain]]'' (1917) by [[Alfred Stieglitz]]")
![Marcel Duchamp, 1919, ''[[L.H.O.O.Q.]]''<ref name="dadart">[http://www.dadart.com/dadaism/dada/035a-duchamp-cage.html Marcel Duchamp 1887–1968, dadart.com]</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp, 1919, L.H.O.O.Q.jpg?width=200 "Marcel Duchamp, 1919, ''[[L.H.O.O.Q.]]''<ref name=\"dadart\">[http://www.dadart.com/dadaism/dada/035a-duchamp-cage.html Marcel Duchamp 1887–1968, dadart.com]</ref>")
![Three Duchamp brothers, left to right: Marcel Duchamp, [[Jacques Villon]], and [[Raymond Duchamp-Villon]] in the garden of Jacques Villon's studio in Puteaux, France, 1914, ([[Smithsonian Institution]] collections)](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp, Jacques Villon, Raymond Duchamp-Villon in the garden of Villon's studio, Puteaux, France, c.1913.jpg?width=200 "Three Duchamp brothers, left to right: Marcel Duchamp, [[Jacques Villon]], and [[Raymond Duchamp-Villon]] in the garden of Jacques Villon's studio in Puteaux, France, 1914, ([[Smithsonian Institution]] collections)")
![391]], July 1920 (N13), [[Museum of Modern Art]], New York](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp, photo Man Ray, 391 n. 13, July 1920.jpg?width=200 "391]], July 1920 (N13), [[Museum of Modern Art]], New York")
![Marcel Duchamp (Rrose Selavy) and Man Ray, ''[[Belle Haleine, Eau de Voilette]]'', 1920–1921](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp (Rrose Selavy), Man Ray, 1920-21, Belle Haleine, Eau de Voilette.jpg?width=200 "Marcel Duchamp (Rrose Selavy) and Man Ray, ''[[Belle Haleine, Eau de Voilette]]'', 1920–1921")
![The cover of the second (and final) issue of ''[[The Blind Man]]'' (May 1917) featured a graphic reference to Duchamp's painting ''The Chocolate Grinder''. The issue is best known for its response to ''Fountain'' not being displayed at the purportedly open inaugural exhibition of the [[Society of Independent Artists]].](https://commons.wikimedia.org/wiki/Special:FilePath/The blind man MET b1120124 001.jpg?width=200 "The cover of the second (and final) issue of ''[[The Blind Man]]'' (May 1917) featured a graphic reference to Duchamp's painting ''The Chocolate Grinder''. The issue is best known for its response to ''Fountain'' not being displayed at the purportedly open inaugural exhibition of the [[Society of Independent Artists]].")
![Marcel Duchamp, 1910, ''Joueur d'échecs'' (''The Chess Game''), oil on canvas, 114 x 146.5 cm, [[Philadelphia Museum of Art]]](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp, 1910, Joueur d'échecs (The Chess Game), oil on canvas, 114 x 146.5 cm, Philadelphia Museum of Art.jpg?width=200 "Marcel Duchamp, 1910, ''Joueur d'échecs'' (''The Chess Game''), oil on canvas, 114 x 146.5 cm, [[Philadelphia Museum of Art]]")
![Marcel Duchamp, 1911, ''Coffee Mill (Moulin à café)'', oil and graphite on board, 33 x 12.7 cm, [[Tate]], London. Reproduced in ''[[Du "Cubisme"]]''](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp, 1911, Coffee Mill (Moulin à café), oil and graphite on board, 33 x 12.7 cm, Tate, London.jpg?width=200 "Marcel Duchamp, 1911, ''Coffee Mill (Moulin à café)'', oil and graphite on board, 33 x 12.7 cm, [[Tate]], London. Reproduced in ''[[Du \"Cubisme\"]]''")
![Marcel Duchamp, 1911, ''La sonate (Sonata)'', oil on canvas, 145.1 x 113.3 cm, [[Philadelphia Museum of Art]]. Exhibited at ''Exposició d'Art Cubista'', Barcelona, [[Galeries Dalmau]], Barcelona, 1912 (reproduced in catalogue)](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp, 1911, La sonate (Sonata), oil on canvas, 145.1 x 113.3 cm, Philadelphia Museum of Art.jpg?width=200 "Marcel Duchamp, 1911, ''La sonate (Sonata)'', oil on canvas, 145.1 x 113.3 cm, [[Philadelphia Museum of Art]]. Exhibited at ''Exposició d'Art Cubista'', Barcelona, [[Galeries Dalmau]], Barcelona, 1912 (reproduced in catalogue)")
![Marcel Duchamp, 1912, ''Le Roi et la Reine entourés de Nus vites'' (''The King and Queen Surrounded by Swift Nudes''), oil on canvas, 114.6 x 128.9 cm, [[Philadelphia Museum of Art]]](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp, 1912, Le Roi et la Reine entourés de Nus vites (The King and Queen Surrounded by Swift Nudes), oil on canvas, 114.6 x 128.9 cm, Philadelphia Museum of Art.jpg?width=200 "Marcel Duchamp, 1912, ''Le Roi et la Reine entourés de Nus vites'' (''The King and Queen Surrounded by Swift Nudes''), oil on canvas, 114.6 x 128.9 cm, [[Philadelphia Museum of Art]]")
![Marcel Duchamp, ''[[Nude Descending a Staircase, No. 2]]'', in the Frederick C. Torrey home, c. 1913](https://commons.wikimedia.org/wiki/Special:FilePath/Marcel Duchamp, Nude Descending a Staircase, No. 2, in the Frederick C. Torrey home, c. 1913.jpg?width=200 "Marcel Duchamp, ''[[Nude Descending a Staircase, No. 2]]'', in the Frederick C. Torrey home, c. 1913")
Wikipedia
Henri-Robert-Marcel Duchamp (UK: , US: , French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. He is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. He has had an immense impact on 20th- and 21st-century art, and a seminal influence on the development of conceptual art. By the time of World War I, he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal", intended only to please the eye. Instead, he wanted to use art to serve the mind.
