Caterina II - определение. Что такое Caterina II
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Что (кто) такое Caterina II - определение

LADY OF IMOLA AND COUNTESS OF FORLÌ (1463-1509)
Caterina Sforzia; Caterina Sforza Riario
  • Cosimo I de' Medici.
  • Portrait of Giacomo Feo (the tallest man standing on the right), Melozzo da Forlì
  • Riario Coat of Arms
  • Coat of Arms of Giacomo Feo, Baron of France
  • Portrait of Giovanni delle Bande Nere by Gian Paolo Pace
  • Count Girolamo Riario
  • Giovanni il Popolano

Santa Caterina da Siena, Livorno         
CHURCH BUILDING IN LIVORNO, ITALY
Santa Caterina (Livorno); Santa Caterina, Livorno
Santa Caterina da Siena is a Baroque architecture, Roman Catholic church in the district Venezia Nuova central Livorno, region of Tuscany, Italy. It stands in front of the Piazza dei Domenicani.
Caterina Biancolelli         
ITALIAN ACTRESS
Caterina Bianconelli
Caterina Biancolelli (1665–1716) was an Italian actress in the commedia dell'arte style of theater. She was one of the earliest actresses to play the role of Colombina, and one of the most famous.
Santa Caterina d'Alessandria, Parma         
CHURCH BUILDING IN PARMA, ITALY
Santa Caterina d'Alessandria (Parma)
Santa Caterina d'Alessandria ( Saint Catherine of Alexandria) is a Roman Catholic church located in the borgo Santa Caterina of the city of Parma, Italy

Википедия

Caterina Sforza

Caterina Sforza (1463 – 28 May 1509) was an Italian noblewoman, the Countess of Forlì and Lady of Imola, firstly with her husband Girolamo Riario, and after his death as a regent of her son Ottaviano. Caterina was a noblewoman who lived a life maintaining her responsibilities with her family and power as a ruler in the courts. Her status and image was shaped by the masculine and feminine roles she took on throughout her lifetime as a ruler, wife, widow, and mother, in addition to the cultural activities she participated in during Renaissance Italy.

The descendant of a dynasty of noted condottieri, from an early age, Caterina distinguished herself through her bold and impetuous actions taken to safeguard her possessions from possible usurpers and to defend her dominions from attack, when they were involved in political intrigues. In her private life, Caterina was devoted to various activities, including experiments in alchemy and a love of hunting, dancing, and horse riding. She was educated and engaged in religious rituals and matters, commissioned works of art, a fashion icon, and was a collector of many jewels and clothing. In addition, she undertook urban, residential, and military architectural projects.

While her role as a ruler was considered to be masculine, Caterina had series of portrait medals that embodied her diplomatic skills and political power as a successful regent. At the time, portrait medals were important among the noble society and could be distributed and exchanged as a way to communicate self-presentation, characteristic, and accomplishments of that person. Caterina's first medal represented her beauty, womanly virtue, and conformity to the female role as a noble wife and mother. When Girolamo died, Caterina's next medal represented loyalty and protection of her family with her new position as a chaste widow. While it was feminine, it was also clearly masculine because it represented her additional powerful position as a regent.

She had many children, but only the youngest, Captain Giovanni delle Bande Nere, inherited his mother's forceful, militant personality. Caterina's resistance to Cesare Borgia meant she had to face his fury and imprisonment. After she gained her freedom in Rome, she then went on to lead a quiet life in Florence. In the final years of her life, she confided to a monk: "Se io potessi scrivere tutto, farei stupire il mondo" ("If I could write everything that happened, I would shock the world").