Rudolf Nureyev - определение. Что такое Rudolf Nureyev
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Что (кто) такое Rudolf Nureyev - определение

SOVIET BALLET DANCER AND CHOREOGRAPHER
Rudolf Hametovich Nureyev; Rudolph Nureyev; Rudolf Nuriev; Rudolf Khametovich Nureyev; Rudolf Xämät ulı Nuriev
  • Nureyev in 1968, aged 30
  • [[Margot Fonteyn]], [[Fred Astaire]] and Nureyev from a 1965 appearance on the U.S. television show ''[[The Hollywood Palace]]''.
  • Nureyev coaching Devon Carney in his production of ''Don Quixote''.
  •  Nureyev's tomb in Sainte-Geneviève-des-Bois
  • Nureyev with Liliana Cosi in Rome, 1972.
  • Nureyev's first time conducting an ensemble, in [[Deauville]], France (1991)
  • Rudolf Nureyev after his defection from the Soviet Union in 1961.
  • 1997 Russian postal cover honouring Nureyev

Rudolf Fränkel         
  • The Adriatica Building in Bucharest
ARCHITECT
Rudolf frankel; Rudolf Frankel
Rudolf Fränkel, often anglicised as Rudolf or Rudolph Frankel (14 June 1901 in Neisse, Upper Silesia, now Nysa, Poland – 23 April 1974 in Cincinnati, Ohio)Kunst im Exil in Grossbritannien 1933-1945: eine Ausstellung der Neuen Gesellschaft für Bildende Kunst in den Räumen der Orangerie des Schlosses Charlottenburg vom 10.1.
Rudolf Luneburg         
PROFESSOR OF MATHEMATICS AND OPTICS (1903-1949)
R. K. Luneberg; Rudolf Luneberg; Rudolf Lüneburg
Rudolf Karl Lüneburg (30 March 1903, Volkersheim (Bockenem) - 19 August 1949, Great Falls, Montana), after his emigration at first Lueneburg, later Luneburg, falsified Luneberg) was a professor of mathematics and optics at the Dartmouth College Eye Institute. He was born in Germany, received his doctorate at Göttingen, and emigrated to the United States in 1935.
Rudolf I (bishop of Würzburg)         
GERMAN BISHOP
Rudolf I, Bishop of Wurzburg; Rudolf I, Bishop of Wuerzburg; Rudolf I, Bishop of Würzburg; Rudolf I (Bishop of Wurzburg); Rudolf I (Bishop of Würzburg); Rudolf I (bishop of Wurzburg)
Rudolf I (died 3 August 908) was the Bishop of Würzburg from 892 until his death. He was the youngest son of Udo of Neustria.

Википедия

Rudolf Nureyev

Rudolf Khametovich Nureyev ( NURE-ee-ef, nyuurr-AY-ef; Tatar/Bashkir: Рудольф Хәмит улы Нуриев; Russian: Рудо́льф Хаме́тович Нуре́ев, IPA: [rʊˈdolʲf xɐˈmʲetəvʲɪtɕ nʊˈrʲejɪf]; 17 March 1938 – 6 January 1993) was a Soviet-born ballet dancer and choreographer. Nureyev is regarded by some as the greatest male ballet dancer of his generation.

Nureyev was born on a Trans-Siberian train near Irkutsk, Siberia, Soviet Union, to a Tatar family. He began his early career with the company that in the Soviet era was called the Kirov Ballet (now called by its original name, the Mariinsky Ballet) in Leningrad. He defected from the Soviet Union to the West in 1961, despite KGB efforts to stop him. This was the first defection of a Soviet artist during the Cold War, and it created an international sensation. He went on to dance with The Royal Ballet in London and from 1983 to 1989 served as director of the Paris Opera Ballet. Nureyev was also a choreographer serving as the chief choreographer of the Paris Opera Ballet. He produced his own interpretations of numerous classical works, including Swan Lake, Giselle and La Bayadère.

Примеры употребления для Rudolf Nureyev
1. His great role models were the pure style of Erik Bruhn and the power and artistic sensitivity of Rudolf Nureyev.
2. The ageing Rudolf Nureyev became a figure of fun by the late 1'70s for insisting on dancing lead roles after his physical gifts had deserted him.
3. Genevieve de Bois cemetery outside Paris, where many famous Russian exiles are buried, ranging from aristocrats and Orthodox clergy to dancer Rudolf Nureyev and dissident Andre Amalrik.
4. When Rudolf Nureyev arrived in 1'62 he brought with him the classical heritage of the Kirov; Sylvie Guillem brought the experimental ethos of the Paris Opera.
5. Much as the star power of Rudolf Nureyev and Mikhail Baryshnikov revived widespread interest in classical ballet in the 1'70s and 1'80s, Pavarotti‘s beaming charisma and bravura style captured the attention of the late–20th–century audience for opera.