Перевод и анализ слов искусственным интеллектом ChatGPT
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- как употребляется слово
- частота употребления
- используется оно чаще в устной или письменной речи
- варианты перевода слова
- примеры употребления (несколько фраз с переводом)
- этимология
Что (кто) такое Shakespearean$74276$ - определение
![A woman wearing a visard, as engraved by [[Abraham de Bruyn]] in 1581.](https://commons.wikimedia.org/wiki/Special:FilePath/Sic nobilis femina vel equitant, vel obambulant.jpg?width=200 "A woman wearing a visard, as engraved by [[Abraham de Bruyn]] in 1581.")
![[[Edwin Booth]] (1833–1894), as [[Hamlet]], c. 1870. Booth is in the position on the throne where he is said to have begun the monologue: ''To be or not to be, that is the question.'' (''Hamlet'', Act III, Scene 1, line 64).<ref>Based on the description in the [[Library of Congress]] for this photo, labeled: "Edwin Booth [as] Hamlet 'to be or not to be, that is the question', CALL NUMBER: LOT 13714, no. 125 (H) [P&P]."</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/Edwin Booth Hamlet.jpg?width=200 "[[Edwin Booth]] (1833–1894), as [[Hamlet]], c. 1870. Booth is in the position on the throne where he is said to have begun the monologue: ''To be or not to be, that is the question.'' (''Hamlet'', Act III, Scene 1, line 64).<ref>Based on the description in the [[Library of Congress]] for this photo, labeled: \"Edwin Booth [as] Hamlet 'to be or not to be, that is the question', CALL NUMBER: LOT 13714, no. 125 (H) [P&P].\"</ref>")
![Henry VI (Jeffrey T. Heyer) and the young Earl of Richmond (Ashley Rose Miller) in the West Coast premiere of ''The Plantagenets: The Rise of Edward IV'', based on ''Henry VI, Part 3'', staged by [[Pacific Repertory Theatre]] in 1993.](https://commons.wikimedia.org/wiki/Special:FilePath/Henry6th2shot.jpg?width=200 "Henry VI (Jeffrey T. Heyer) and the young Earl of Richmond (Ashley Rose Miller) in the West Coast premiere of ''The Plantagenets: The Rise of Edward IV'', based on ''Henry VI, Part 3'', staged by [[Pacific Repertory Theatre]] in 1993.")
![Carmel]], Ca, 1999](https://commons.wikimedia.org/wiki/Special:FilePath/KingLear.jpg?width=200 "Carmel]], Ca, 1999")
![Carmel Shake-speare Festival]] production of ''[[Henry VI, Part 3]]'', 2004](https://commons.wikimedia.org/wiki/Special:FilePath/Travis Brazil as Edward IV.jpg?width=200 "Carmel Shake-speare Festival]] production of ''[[Henry VI, Part 3]]'', 2004")
![[[Edwin Austin Abbey]] (1852–1911) ''[[King Lear]]'', Cordelia's Farewell](https://commons.wikimedia.org/wiki/Special:FilePath/Edwin Austin Abbey King Lear, Act I, Scene I The Metropolitan Museum of Art.jpg?width=200 "[[Edwin Austin Abbey]] (1852–1911) ''[[King Lear]]'', Cordelia's Farewell")
![The Tragical History of the Life and Death of Doctor Faustus]]'' by [[Christopher Marlowe]], in the [[Huntington Library]], [[San Marino, California]]](https://commons.wikimedia.org/wiki/Special:FilePath/Faustus Manuscript in the Huntingdon Library.jpg?width=200 "The Tragical History of the Life and Death of Doctor Faustus]]'' by [[Christopher Marlowe]], in the [[Huntington Library]], [[San Marino, California]]")
![''Hamlet and his Father's Ghost'', [[William Blake]] (1806)](https://commons.wikimedia.org/wiki/Special:FilePath/Hamlet and his Father's Ghost, William Blake, 1806.jpg?width=200 "''Hamlet and his Father's Ghost'', [[William Blake]] (1806)")
Википедия
A visard (also spelled vizard) is an oval mask of black velvet, worn by travelling women in the 16th century to protect their skin from sunburn. The fashion of the period for wealthy women was to keep their skin pale, because a tan suggested that the bearer worked outside and was hence poor. Some types of vizard were not held in place by a fastening or ribbon ties, and instead the wearer clasped a bead attached to the interior of the mask between their teeth.
The practice did not meet universal approval, as evidenced in this excerpt from a contemporary polemic:
When they use to ride abroad, they have visors made of velvet ... wherewith they cover all their faces, having holes made in them against their eyes, whereout they look so that if a man that knew not their guise before, should chance to meet one of them he would think he met a monster or a devil: for face he can see none, but two broad holes against her eyes, with glasses in them.
In Venice, the visard developed into a design without a mouth hole, the moretta, and was gripped with a button between the teeth rather than a bead. The mask's prevention of speech was deliberate, intended to heighten the mystery of a masked woman even further.
