réception en plein air - определение. Что такое réception en plein air
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Что (кто) такое réception en plein air - определение

ACT OF PAINTING OUTDOORS
Plein air; Plein-Air Painting; Plenair; Plein Air; Pleinair; Plein-air; Plein aire; Plein air painting
  • Australian impressionist]] [[Arthur Streeton]] painting ''en plein air'', c. 1892
  • ''En plein air'' painter on the [[Côte d'Argent]] in [[Hourtin]], France
  • [[Robert Antoine Pinchon]], 1898, painting ''Le chemin'', oil on canvas, 22 × 32 cm
  • ''[[Claude Monet]] Painting by the Edge of a Wood'' (1885) by [[John Singer Sargent]]. Oil on canvas. 54.0 × 64.8 cm. [[Tate Gallery]], London.

plein-air         
[pl?n'?:]
¦ adjective denoting or relating to a 19th-century style of painting outdoors which became a central feature of French Impressionism.
Origin
from Fr. en plein air 'in the open air'.
Musée de la Sculpture en Plein Air         
MUSEUM IN PARIS, FRANCE
Musee de la Sculpture en Plein Air
The Musée de la Sculpture en Plein Air is a collection of outdoor sculpture located on the banks of the Seine in the 5th arrondissement, Paris, France. The museum opens free of charge.
Musée en Plein Air de Parakou         
CULTURAL MUSEUM NEAR PARAKOU, BENIN
Musee en Plein Air de Parakou
Musée en Plein Air de Parakou is a museum located approximately 1.5 kilometres south of the centre of the city Parakou, Benin in the suburbs.

Википедия

En plein air

En plein air (pronounced [ɑ̃ plɛ.n‿ɛʁ]; French for 'outdoors'), or plein-air painting, is the act of painting outdoors.

This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the landscape.

It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon school of painting in natural light was highly influential.

Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These were variants that were particularly relevant to the mid 19th-century Hudson River School and to Impressionism.