syntonic$81241$ - определение. Что такое syntonic$81241$
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Что (кто) такое syntonic$81241$ - определение

AMERICAN COMPOSER
Jon Howard Appleton; Jon H. Appleton; Appleton Syntonic Menagerie
  • Appleton in 2013

Regular diatonic tuning         
  • Play}} regular diatonic scales
Syntonic Temperament; Syntonic temperament; Regular Diatonic Tunings; Regular Diatonic Tuning; Regular diatonic scale
A regular diatonic tuning is any musical scale consisting of "tones" (T) and "semitones" (S) arranged in any rotation of the sequence TTSTTTS which adds up to the octave with all the T's being the same size and all the S's the being the same size, with the 'S's being smaller than the 'T's. In such a tuning, then the notes are connected together in a chain of seven fifths, all the same size (TTTS or a permutation of that) which makes it a Linear temperament with the tempered fifth as a generator.
syntonic         
  • Play first and last chords}}
  • 9px
  • natural}}) that is a [[just major sixth]] above C, assuming C and D are 9/8 apart.<ref name="Fonville"/>
  • major tone]][[File:Major tone on C.mid]]
  • minor tone]][[File:Minor tone on C.mid]]
A SMALL MUSICAL INTERVAL WITH PITCH RATIO 81:80
Didymic comma; Didymus comma; Comma of Didymus; Diatonic comma; Syntonic; Ptolemaic comma; Chromatic diesis; Comma drift
[s?n't?n?k]
¦ adjective Psychology responsive to and in harmony with one's situation and personality.
Origin
C19: from Ger. Syntonie 'state of being syntonic' + -ic.
Syntonic comma         
  • Play first and last chords}}
  • 9px
  • natural}}) that is a [[just major sixth]] above C, assuming C and D are 9/8 apart.<ref name="Fonville"/>
  • major tone]][[File:Major tone on C.mid]]
  • minor tone]][[File:Minor tone on C.mid]]
A SMALL MUSICAL INTERVAL WITH PITCH RATIO 81:80
Didymic comma; Didymus comma; Comma of Didymus; Diatonic comma; Syntonic; Ptolemaic comma; Chromatic diesis; Comma drift
In music theory, the syntonic comma, also known as the chromatic diesis, the Didymean comma, the Ptolemaic comma, or the diatonic commaJohnston B. (2006).

Википедия

Jon Appleton

Jon Howard Appleton (January 4, 1939 – January 30, 2022) was an American composer, an educator and a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. "Chef d'Oeuvre" and "Newark Airport Rock" (1967) attracted attention because they established a new tradition some have called programmatic electronic music. In 1970, he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old, he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s, he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) (sv) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones, he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s, he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music. He also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years, he devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.