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- этимология
kept things in proportion - перевод на итальянский
THEMATIC DEPICTION OF PEOPLE IN ART
Hierarchic proportion
![obverse]] side, [[Early Dynastic Period of Egypt]], about the 31st century BC](https://commons.wikimedia.org/wiki/Special:FilePath/Narmer-Tjet2.JPG?width=200 "obverse]] side, [[Early Dynastic Period of Egypt]], about the 31st century BC")
![Naram Sin]], the [[Akkadian Empire]] in ancient [[Mesopotamia]], 2350 - 2000 BC](https://commons.wikimedia.org/wiki/Special:FilePath/Victory stele of Naram Sin 9062.jpg?width=200 "Naram Sin]], the [[Akkadian Empire]] in ancient [[Mesopotamia]], 2350 - 2000 BC")
![New Kingdom of ancient Egypt]], c. 1250 B.C.](https://commons.wikimedia.org/wiki/Special:FilePath/BD Weighing of the Heart.jpg?width=200 "New Kingdom of ancient Egypt]], c. 1250 B.C.")
![Maya]] city [[Cancuén]] portraying the ruler [[Tajal Chan Ahk]], 8th-century](https://commons.wikimedia.org/wiki/Special:FilePath/Cancuenpanel3.jpg?width=200 "Maya]] city [[Cancuén]] portraying the ruler [[Tajal Chan Ahk]], 8th-century")
![Reichenau Abbey]] in southern [[Germany]], late 10th or early 11th century](https://commons.wikimedia.org/wiki/Special:FilePath/Meister der Reichenauer Schule 002.jpg?width=200 "Reichenau Abbey]] in southern [[Germany]], late 10th or early 11th century")
![tympanum]] of the [[Autun Cathedral]] in [[France]], 1120 - 1146.](https://commons.wikimedia.org/wiki/Special:FilePath/Autun St Lazare Tympanon.jpg?width=200 "tympanum]] of the [[Autun Cathedral]] in [[France]], 1120 - 1146.")
![Maestà of Duccio]], [[Siena]], [[Italy]], 1308 – 1311](https://commons.wikimedia.org/wiki/Special:FilePath/Duccio maesta1021.jpg?width=200 "Maestà of Duccio]], [[Siena]], [[Italy]], 1308 – 1311")
![[[Portinari Altarpiece]], [[Flemish painter]] [[Hugo van der Goes]] for the church of the [[hospital of Santa Maria Nuova]] in [[Florence]] in [[Italy]], c. 1475.](https://commons.wikimedia.org/wiki/Special:FilePath/Hugo van der Goes 004.jpg?width=200 "[[Portinari Altarpiece]], [[Flemish painter]] [[Hugo van der Goes]] for the church of the [[hospital of Santa Maria Nuova]] in [[Florence]] in [[Italy]], c. 1475.")
![Zumurrud Shah takes refuge in the mountains ([[India]], ca. 1570, illustration to [[Hamzanama]])](https://commons.wikimedia.org/wiki/Special:FilePath/Brooklyn Museum - Zumurrud Shah Takes Refuge in the Mountains - overall.jpg?width=200 "Zumurrud Shah takes refuge in the mountains ([[India]], ca. 1570, illustration to [[Hamzanama]])")
![Abbas Al-Musavi]] in focus, [[Isfahan]], [[Iran]], late 19th - early 20th century](https://commons.wikimedia.org/wiki/Special:FilePath/Brooklyn Museum - Battle of Karbala - Abbas Al-Musavi - overall.jpg?width=200 "Abbas Al-Musavi]] in focus, [[Isfahan]], [[Iran]], late 19th - early 20th century")
kept things in proportion
Rimise le cose nella giusta proporzione
things as they are
2012 FILM
Las cosas como son (2012); Things As They Are (2012 Film); Things As They Are
cose come stanno, situazione com"è
other things being equal
LATIN PHRASE INDICATING THAT FACTORS NOT BEING CONSIDERED IN A COMPARISON ARE HELD TO BE CONSTANT ACROSS THE ITEMS COMPARED
Ceteris Paribus; Ceteribus paribus; Ceteris parabis; Ceteris parabus; All other things being equal; Cet. par.; Cet par; Other things being equal; Ceteris; Ceteris peribus; Ceteris paribis; Caeteris paribus; All things being equal; All else being equal
a parita di condizioni
Определение
kept
kept
adjective supported financially in return for sexual favours.
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kept
past and past participle of keep.
Википедия
Hierarchical proportion
Hierarchical proportion is a technique used in art, mostly in sculpture and painting, in which the artist uses unnatural proportion or scale to depict the relative importance of the figures in the artwork.
For example, in Egyptian times, people of higher status would sometimes be drawn or sculpted larger than those of lower status.
During the Dark Ages, people with more status had larger proportions than serfs. During the Renaissance images of the human body began to change, as proportion was used to depict the reality an artist interpreted.
