lotte di campanile - перевод на Английский
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lotte di campanile - перевод на Английский

BELL TOWER OF ST MARK'S BASILICA IN VENICE, ITALY
Campanile di San Marco; St. Mark's Campanile; Campanile of St. Mark
  • The ''Marangona''
  • The belfry and spire as designed by Giorgio Spavento in 1489 and first executed by Pietro Bon (1512–1514)
  • The issue of ''[[La Domenica del Corriere]]'', 5–12 May 1912, with the inauguration ceremony
  • Plaque in the belfry commemorating the demonstration of the telescope
  • The loggetta of the bell tower, designed by Jacopo Sansovino
  • Reconstruction of Saint Mark's Square in the early tenth century
  • ]]

lotte di campanile      
parish quarrels, local affairs
Sandro Botticelli         
  • Engraving by [[Baccio Baldini]] after Botticelli
  • ''The Mystical Nativity'']] (c. 1500–01) [[National Gallery, London]].
  • ''[[Punishment of the Sons of Corah]]'', Sistine Chapel
  • ''[[Madonna of the Pomegranate]]'' (''Madonna della Melagrana''), c. 1487
  • ''San Barnaba Altarpiece'', c. 1487, Uffizi, 268 x 280 cm
  • Flora]], [[Chloris]], [[Zephyrus]]
  • ''Madonna and Child with St. John the Baptist'', c. 1470–1475, [[Louvre]]
  • One of the few fully coloured pages of the [[Divine Comedy Illustrated by Botticelli]], illustrating canto XVIII in the eighth circle of Hell.  Dante and Virgil descending through the ten chasms of the circle via a ridge.
  • ''[[Youth of Moses]]'', [[Sistine Chapel]]
  • ''[[Pallas and the Centaur]]'', c. 1482. [[Uffizi]], Florence.
  • ''[[The Birth of Venus]]'', c. 1485. [[Uffizi]], [[Florence]]
  • ''[[Magnificat Madonna]]'', c. 1483
  • The ''Bardi Altarpiece'', 1484–85, 185 x 180 cm
  • ''[[Madonna of the Book]]'', c.1480–3.
  • Lamentation of Christ]]'', early 1490s, [[Alte Pinakothek]], Munich.
  • Calumny of Apelles]]'' (c. 1494–95). [[Uffizi]], Florence.
  • ''[[Portrait of a Man with a Medal of Cosimo the Elder]]'', 1474; the medal is an inserted [[gesso]] cast of a real medal.
  • The Story of Lucretia]]'', c. 1500. [[Isabella Stewart Gardner Museum]], [[Boston, Massachusetts]].
  • Portrait, probably imagined, of Botticelli from Vasari's ''Life''
  • abbr=on}}, [[National Gallery, London]]
  • 1484–1486}})
  • Via Borgo Ognissanti in 2008, with the eponymous church halfway down on the right. Like the street, it has had a Baroque makeover since Botticelli's time.
  • Adoration of the Magi]]'', 1475, 111 cm × 134 cm (44 in × 53 in)
ITALIAN PAINTER (1445-1510)
Botticelli; Sandro Filipepi; Alessandro Botticelli; Bottichelli; Alessandro di Mariano Filipepi; Boticelli; Filipepi; Alessandro di Mariano di Vanni Filipepi; Il Botticello; Alessandro Di Mariano Del Filipepi; Allessandro Botticelli; Alessandro Di Mariano; Alessandro Di Mariano Filipepi; Alessandro Filipepi
n. Sandro Botticelli, (1444-1510) nato col vero nome di Alessandro di Mariano Filipepi, grande pittore del Rinascimento italiano autore fra l"altro della "Nascita di Venere"
Alessandro di Mariano Filipepi         
  • Engraving by [[Baccio Baldini]] after Botticelli
  • ''The Mystical Nativity'']] (c. 1500–01) [[National Gallery, London]].
  • ''[[Punishment of the Sons of Corah]]'', Sistine Chapel
  • ''[[Madonna of the Pomegranate]]'' (''Madonna della Melagrana''), c. 1487
  • ''San Barnaba Altarpiece'', c. 1487, Uffizi, 268 x 280 cm
  • Flora]], [[Chloris]], [[Zephyrus]]
  • ''Madonna and Child with St. John the Baptist'', c. 1470–1475, [[Louvre]]
  • One of the few fully coloured pages of the [[Divine Comedy Illustrated by Botticelli]], illustrating canto XVIII in the eighth circle of Hell.  Dante and Virgil descending through the ten chasms of the circle via a ridge.
  • ''[[Youth of Moses]]'', [[Sistine Chapel]]
  • ''[[Pallas and the Centaur]]'', c. 1482. [[Uffizi]], Florence.
  • ''[[The Birth of Venus]]'', c. 1485. [[Uffizi]], [[Florence]]
  • ''[[Magnificat Madonna]]'', c. 1483
  • The ''Bardi Altarpiece'', 1484–85, 185 x 180 cm
  • ''[[Madonna of the Book]]'', c.1480–3.
  • Lamentation of Christ]]'', early 1490s, [[Alte Pinakothek]], Munich.
  • Calumny of Apelles]]'' (c. 1494–95). [[Uffizi]], Florence.
  • ''[[Portrait of a Man with a Medal of Cosimo the Elder]]'', 1474; the medal is an inserted [[gesso]] cast of a real medal.
  • The Story of Lucretia]]'', c. 1500. [[Isabella Stewart Gardner Museum]], [[Boston, Massachusetts]].
  • Portrait, probably imagined, of Botticelli from Vasari's ''Life''
  • abbr=on}}, [[National Gallery, London]]
  • 1484–1486}})
  • Via Borgo Ognissanti in 2008, with the eponymous church halfway down on the right. Like the street, it has had a Baroque makeover since Botticelli's time.
  • Adoration of the Magi]]'', 1475, 111 cm × 134 cm (44 in × 53 in)
ITALIAN PAINTER (1445-1510)
Botticelli; Sandro Filipepi; Alessandro Botticelli; Bottichelli; Alessandro di Mariano Filipepi; Boticelli; Filipepi; Alessandro di Mariano di Vanni Filipepi; Il Botticello; Alessandro Di Mariano Del Filipepi; Allessandro Botticelli; Alessandro Di Mariano; Alessandro Di Mariano Filipepi; Alessandro Filipepi
n. Alessandro di Mariano Filipepi, Sandro Botticelli, (1444-1510) grande pittore del Rinascimento italiano autore fra l"altro della "Nascita di Venere"

Определение

DI
Destination Index [Additional explanations: register] (Reference: CPU, Intel, assembler)

Википедия

St Mark's Campanile

St Mark's Campanile (Italian: Campanile di San Marco, Venetian: Canpanièl de San Marco) is the bell tower of St Mark's Basilica in Venice, Italy. The current campanile is a reconstruction completed in 1912, the previous tower having collapsed in 1902. At 98.6 metres (323 ft) in height, it is the tallest structure in Venice and is colloquially termed "el paròn de casa" (the master of the house). It is one of the most recognizable symbols of the city.

Located in Saint Mark's Square near the mouth of the Grand Canal, the campanile was initially intended as a watchtower to sight approaching ships and protect the entry to the city. It also served as a landmark to guide Venetian ships safely into harbour. Construction began in the early tenth century and continued sporadically over time as the tower was slowly raised in height. A belfry and a spire were first added in the twelfth century. In the fourteenth century the spire was gilded, making the tower visible to distant ships in the Adriatic. The campanile reached its full height in 1514 when the belfry and spire were completely rebuilt on the basis of an earlier Renaissance design by Giorgio Spavento. Historically, the bells served to regulate the civic and religious life of Venice, marking the beginning, pauses, and end of the work day; the convocation of government assemblies; and public executions.

The campanile stands alone in the square, near the front of St Mark's Basilica. It has a simple form, recalling its early defensive function, the bulk of which is a square brick shaft with lesenes, 12 metres (39 ft) wide on each side and 50 metres (160 ft) tall. The belfry is topped by an attic with effigies of the Lion of St Mark and allegorical figures of Venice as Justice. The tower is capped by a pyramidal spire at the top of which there is a golden weather vane in the form of the archangel Gabriel.