für ihn sich die Hand abhacken lassen - перевод на немецкий
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für ihn sich die Hand abhacken lassen - перевод на немецкий

OPERA BY ARNOLD SCHOENBERG
Die Glückliche Hand; Die Glueckliche Hand; Die gluckliche Hand; Die glueckliche Hand; Die Gluckliche Hand

must die         
AMERICAN ELECTRONIC MUSICIAN
MUST DIE!; Must Die; Lee Austin Bates
muß sterben
right to die         
  • All forms of euthanasia illegal}}
  • Cruzan's gravestone
FREEDOM TO END ONE'S LIFE
Right-to-die; Right to death; Right to Die; Right To die; Right To Die; Rational suicide; Reasonableness of suicide; Choose to commit suicide; Right-to-die movement
Sterberecht, individuelles Recht zu sterben um nicht unter Schmerz und Leiden zu leben (bezieht sich auf unter unheilbare Krankheiten leidende Menschen die von Maschinen künstlich am Leben gehalten werden)
invisible hand         
ECONOMIC CONCEPT POPULARIZED BY ADAM SMITH
The Invisible Hand; Invisible Hand; Invisible hand theorem; Invisible hand of the market; The invisible hand of the market
unsichtbare Hand

Определение

Pelt
·noun The human skin.
II. Pelt ·vi To throw missiles.
III. Pelt ·vi To throw out words.
IV. Pelt ·noun A blow or stroke from something thrown.
V. Pelt ·noun The body of any quarry killed by the hawk.
VI. Pelt ·vt To Throw; to use as a missile.
VII. Pelt ·vt To strike with something thrown or driven; to assail with pellets or missiles, as, to pelt with stones; pelted with hail.
VIII. Pelt ·noun The skin of a beast with the hair on; a raw or undressed hide; a skin preserved with the hairy or woolly covering on it. ·see 4th Fell.

Википедия

Die glückliche Hand

Die glückliche Hand (The Hand of Fate), Op. 18, is a Drama mit Musik ("drama with music") by Arnold Schoenberg in four scenes. It was composed between 1910 and 1913. Like Erwartung, composed a year earlier, it was heavily influenced by Otto Weininger's book Sex and Character. Unlike Erwartung, Schoenberg wrote the libretto for Die glückliche Hand himself. The first performance took place at the Vienna Volksoper on 24 October 1924. The underlying message of the piece is the idea that man continues to repeatedly make the same mistakes, and the plot is developed from events in Schoenberg's personal life.