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- этимология
Gothic pitch - перевод на русский
![In musical notation, the different vertical positions of notes indicate different '''pitches'''. <br/> Play top: [[File:Bach - Taylor 1873 top.mid]]<br/>Play bottom: [[File:Bach - Taylor 1873 bottom.mid]]](https://commons.wikimedia.org/wiki/Special:FilePath/Bach - Taylor 1873.png?width=200 "In musical notation, the different vertical positions of notes indicate different '''pitches'''. <br/> Play top: [[File:Bach - Taylor 1873 top.mid]]<br/>Play bottom: [[File:Bach - Taylor 1873 bottom.mid]]")
![C<sub>1</sub>]].](https://commons.wikimedia.org/wiki/Special:FilePath/Music frequency diatonic scale-3.svg?width=200 "C<sub>1</sub>]].")
![middle C]] (131 Hz). (Scale: 1 square is equal to 1 [[millisecond]])](https://commons.wikimedia.org/wiki/Special:FilePath/C3 131 Hz oscillogram.png?width=200 "middle C]] (131 Hz). (Scale: 1 square is equal to 1 [[millisecond]])")
![Oscillogram]] of middle C (262 Hz) ([[pure tone]])](https://commons.wikimedia.org/wiki/Special:FilePath/Middle C, or 262 hertz, on a virtual oscilloscope.png?width=200 "Oscillogram]] of middle C (262 Hz) ([[pure tone]])")
![Higher pitches have higher frequency. Oscillogram of C5, an [[octave]] above middle C. The frequency is twice that of middle C (523 Hz).](https://commons.wikimedia.org/wiki/Special:FilePath/C5 523 Hz oscillogram.png?width=200 "Higher pitches have higher frequency. Oscillogram of C5, an [[octave]] above middle C. The frequency is twice that of middle C (523 Hz).")
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![[[Robert Louis Stevenson]]'s ''[[Strange Case of Dr Jekyll and Mr Hyde]]'' (1886) was a classic Gothic work of the 1880s, seeing many stage adaptations.](https://commons.wikimedia.org/wiki/Special:FilePath/Dr Jekyll and Mr Hyde poster edit2.jpg?width=200 "[[Robert Louis Stevenson]]'s ''[[Strange Case of Dr Jekyll and Mr Hyde]]'' (1886) was a classic Gothic work of the 1880s, seeing many stage adaptations.")
![[[Mary Shelley]]'s ''[[Frankenstein; or, The Modern Prometheus]]'' (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown.](https://commons.wikimedia.org/wiki/Special:FilePath/Frontispiece to Frankenstein 1831.jpg?width=200 "[[Mary Shelley]]'s ''[[Frankenstein; or, The Modern Prometheus]]'' (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown.")
![[[Miss Havisham]] from Dickens’ ''Great Expectations''](https://commons.wikimedia.org/wiki/Special:FilePath/Havisham.jpg?width=200 "[[Miss Havisham]] from Dickens’ ''Great Expectations''")
![Le Horla]]'' (1887) by [[Guy de Maupassant]]](https://commons.wikimedia.org/wiki/Special:FilePath/Horla-Apparition.png?width=200 "Le Horla]]'' (1887) by [[Guy de Maupassant]]")
![Jane Eyre's trial through the moors in [[Charlotte Brontë]]'s ''[[Jane Eyre]]'' (1847)](https://commons.wikimedia.org/wiki/Special:FilePath/Jane Eyre.jpg?width=200 "Jane Eyre's trial through the moors in [[Charlotte Brontë]]'s ''[[Jane Eyre]]'' (1847)")
![1940 film adaptation]] of [[Daphne du Maurier]]'s ''Rebecca''.](https://commons.wikimedia.org/wiki/Special:FilePath/Mrs. Danvers.jpg?width=200 "1940 film adaptation]] of [[Daphne du Maurier]]'s ''Rebecca''.")
![Catherine Morland, the naive protagonist of ''[[Northanger Abbey]]'' (1818), [[Jane Austen]]'s Gothic parody](https://commons.wikimedia.org/wiki/Special:FilePath/NACatherinereading.jpg?width=200 "Catherine Morland, the naive protagonist of ''[[Northanger Abbey]]'' (1818), [[Jane Austen]]'s Gothic parody")
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![Gothic Revival]]" style, built by Gothic writer [[Horace Walpole]]](https://commons.wikimedia.org/wiki/Special:FilePath/Strawberryhill.jpg?width=200 "Gothic Revival]]\" style, built by Gothic writer [[Horace Walpole]]")
![The ruins of Wolf's Crag castle in [[Walter Scott]]'s ''[[The Bride of Lammermoor]]'' (1819)](https://commons.wikimedia.org/wiki/Special:FilePath/The Bride of Lammermoor - Wolf's Crag.jpg?width=200 "The ruins of Wolf's Crag castle in [[Walter Scott]]'s ''[[The Bride of Lammermoor]]'' (1819)")
![[[Ann Radcliffe]]'s ''[[The Mysteries of Udolpho]]'' (1794), a bestselling Gothic novel. Frontispiece to 4th edition shown.](https://commons.wikimedia.org/wiki/Special:FilePath/The Mysteries of Udolpho (1794).png?width=200 "[[Ann Radcliffe]]'s ''[[The Mysteries of Udolpho]]'' (1794), a bestselling Gothic novel. Frontispiece to 4th edition shown.")
![Cover of a ''[[Varney the Vampire]]'' publication, 1845](https://commons.wikimedia.org/wiki/Special:FilePath/Varney the Vampire or the Feast of Blood.jpg?width=200 "Cover of a ''[[Varney the Vampire]]'' publication, 1845")
![[[Pulp magazine]]s such as ''[[Weird Tales]]'' reprinted and popularized Gothic horror from the previous century.](https://commons.wikimedia.org/wiki/Special:FilePath/Weird Tales March 1934.jpg?width=200 "[[Pulp magazine]]s such as ''[[Weird Tales]]'' reprinted and popularized Gothic horror from the previous century.")
![story of the same name]] by Gogol](https://commons.wikimedia.org/wiki/Special:FilePath/Вий.jpg?width=200 "story of the same name]] by Gogol")
['gɔθɪk,nɔvtl]
общая лексика
готический роман, "роман ужасов" (был популярен в 18 в.; термин введён Г.Уолполом [Horace Walpole, 1717-97]; его атрибуты - старинный замок, часто в готическом стиле [Gothic style], привидения, таинственные преступления и т.п.)
современный готический роман (романтико-приключенческое повествование, обыкн. о судьбе девушки, попавшей в замок, где царит атмосфера опасности; типичный автор Д.Дю Морье [Daphne Du Maurier, 1907-89] и её роман "Ребекка" ["Rebecca"])
Википедия
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre.
Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system.
